1st Edition
Hong Kong Film, Hollywood and New Global Cinema No Film is An Island
Introduction: From the Hong Kong New Wave to the Hong Kong Indies 1. Hong Kong Independent Film Goes to America Staci Ford 2. Do We Hear the City?: The Voice in Hong Kong Cinema Esther Cheung 3. Re-imagining HK-China from the sidelines: Fruit Chan's Little Cheung and Durian Durian Wendy Gan 4. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan’s Hong Kong Hollywood Feng Pin-Chia 5. The Indies and Their Avatars: Tracking the Relationship between Hong Kong Indy Directors, Funding Institutions, and Their Publics Nicole Hess 6. Discussion of Modern Films and the Hong Kong Experimental Scene Roger Garcia and John Woo 7. Interview with Tammy Cheung on Hong Kong Documentaries Amy Lee and Nicole Hess
Sex in the Asian City 8. Urban Intimacies in Yau Ching's Ho Yuk: Let's Love Hong Kong Denise Tse Shang Tang 9. The Ground beneath Her Feet: Fault Lines of Nation and Sensation in Yau Ching’s Ho Yuk: Let's Love Hong Kong Olivia Khoo 10. Cyber sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond) Katrien Jacobs on Isaac Leung 11. The Mistress: Hong Kong and Female Sexuality Patricia Erens Hong Kong/Mainland Connections 12. Rocks on the Road to Beijing Zhou Xuelin 13. Independent Production, Alternative Circulation and the Chinese Underground Films Cheng Kwok Hung 14. The Question of the Audience in Contemporary Chinese Films and Videos Zhang Yingjin
Biography
Gina Marchetti is on faculty in Comparative Literature at the University of Hong Kong. Her other books include Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction (1993), and From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 (2006).
Tan See Kam is Associate Professor of Communication at the University of Macau, Macao SAR, China. He is Vice-Chair of the Asian Cinema Studies Society. His research interests cover media communication in the areas of film, cultural and gender studies. He is the author of Chinese Connections: Critical Perspectives in Film, Identity and Diaspora (with Feng and Marchetti).
