1st Edition
Writing the Modern City Literature, Architecture, Modernity
Preface Jonathan Charley and Sarah Edwards Time, Space and Narrative: Reflections on Architecture, Literature and Modernity Jonathan Charley Part 1. Memory, Nation, Identity Remembering and Forgetting: Private and Public Lives in the Imagined Nation Sarah Edwards Poets, Tramps and a Town-Planner: A Survey of Raymond Unwin’s On-Site Persona Brian Ward Unhomely Desire: Dismantling the Walls of Difference in Gora’s Kolkata Mark Mukherjee Campbell ‘The Past Forsworn’: Colonialism and Counterhistory in the Work of Doris Lessing Victoria Rosner Part 2. Movement, Culture, Genre Drugs, Crime and Other Worlds Jonathan Charley Architectural Crimes and Architectural Solutions Peter Clandfield Philip K. Dick’s Disturbanism: Towards Psychospatial Readings of Science Fiction David T. Fortin Alexander Trocchi: Glasgow through the Eye of a Needle Gary A. Boyd Part 3. Narrative, Form, Space Anonymous Encounters: The Structuring of Space in Postmodern Narratives of the City Sarah Edwards The Novel Architecture of Georges Perec Stefanie Elisabeth Sobelle Sex Happens: a Phenomenological Reading of the Casual Encounter Renée Tobe ‘There Are Different Ways of Making the Streets Tell’: Narrative, Urban Space and Orientation Inga Bryden
Biography
Sarah Edwards lectures in English Studies at the University of Strathclyde, Glasgow, UK. Her publications include articles in Women’s Writing, Journal of Gender Studies, Life Writing, Journal of Popular Culture, Adaptation and Review of English Studies. She is currently completing a monograph, The Edwardians Since 1910, and is the leader of an ESRC seminar series, Nostalgia in the 21st Century (2010–11).
Jonathan Charley is Director of Cultural Studies in the Department of Architecture at the University of Strathclyde, Glasgow, UK. He studied architecture in London and Moscow and works mainly on the political and social history of buildings and cities.
This is an ideal foundation text, and one that operates too as a springboard in its breadth as well as its finely detailed analyses. - Review 31






