Introduction Mark Wrathall and Joseph D. Parry 1. Paul Klee and the Role of the Body in Motivating Perception Mark Wrathall 2. Phenomenology and Aesthetics: or Why Art Matters Steven Crowell 3. Objectivity and Self-Disclosedness: The Phenomenological Working of Art Jeff Malpas 4. Horizon, Oscillation, Boundaries: A Philosophical Account of Mark Rothko's Art Violetta Waibel 5. Representing the Real: a Merleau-Pontean Account of Art and Experience from the Renaissance to New Media Sean Dorrance Kelly 6. The Judgment of Adam: Self-Consciousness and Normative Orientation in Lucas Cranach’s Eden Wayne Martin 7. Describing Reality or disclosing Worldhood?: Vermeer and Heidegger Béatrice Han-Pile 8. Phenomenological History, Freedom, and Botticelli’s Cestello Annunciation Joseph D. Parry 9. Showing and Seeing: Film as Phenomenology John Brough. Index
Biography
Joseph D. Parry is Associate Professor in the Department of Humanities, Classics, and Comparative Literature, Brigham Young University, USA.
