1st Edition

Multimodality, Cognition, and Experimental Literature

By Alison Gibbons Copyright 2012
288 Pages 40 B/W Illustrations
by Routledge

288 Pages 40 B/W Illustrations
by Routledge

274 Pages 40 B/W Illustrations
by Routledge

Since the turn of the millennium, there has seen an increase in the inclusion of typography, graphics and illustration in fiction. This book engages with visual and multimodal devices in twenty-first century literature, exploring canonical authors like Mark Z. Danielewski and Jonathan Safran Foer alongside experimental fringe writers such as Steve Tomasula, to uncover an embodied textual... Read more

List of Figures  Permissions  Acknowledgements  1. Introduction  2. Multimodality  3. Towards a Multimodal Cognitive Poetics  4. Creating Thresholds and the Exploring Reader of House of Leaves by Mark Z. Danielewski  5. Embodiment and the Book that Bleeds: VAS: An Opera in Flatland by Steve Tomasula with Stephen Farrell  6. Cowitnessing trauma in reading Extremely Loud & Incredibly Close by Jonathan Safran Foer  7. Cut, Paste, Repair, but Read: Woman’s World by Graham Rawle  8. Conclusion

Biography

Alison Gibbons is Lecturer in English at De Montfort University, Leicester. Alison has published internationally in a number of journals and collections, including New Perspectives on Narrative and Multimodality (Routledge, 2009). She is co-editor of Mark Z. Danielewski (Manchester University Press, 2011) and Routledge Companion to Experimental Literature (Routledge 2011).