Inmaculada Rodríguez-Moya

Biography

My research has been published in the form of two peer-reviewed monographs, seven co-authored monographs, ten edited volume, twenty three articles in peer-reviewed journals and fifty contributions to edited volumes. Moreover, the findings have been disseminated through lectures and conferences at various European and Latin American academic institutions. I have pursued my research while conducting a large amount of undergraduate teaching and supervision of postgraduate students, as well as discharging the administrative duties deriving from my affiliation to a European public university.
My research has followed four lines of investigation along fifteen years: Iconography of Power, Colonial Art, Emblem Studies and Urbanism History. The line of investigation focusing on Colonial Art begins with my doctoral thesis, defended ant the Universitat Jaume I in 2003. Since then I have studied the Iconography of Power in Latin America from 16th to 19th Century, focusing in Mexico. I have taken part in numerous research projects on this topic, granted by the Spanish Scientific Ministry: Iconography of heroes in Spain and Mexico in 19th Century (2000-2002), Excellence Research Group: Latin American Research Group (2004-2005), Political iconography in Mexico and Spain in 19th Century (Carolina Foundation, 2004-2006), Symbols and Myths in building nations: Spain and Mexico (2007-2009). I have also participate with scientific assessment and contributions to international exhibitions focusing this topic, as Iberoamérica mestiza. Encuentro de pueblos y culturas (2003-2004); Filipinas. Puerta de Oriente (2004), Ecuador. Tradición y Cultura (2007), De novohispanos a mexicanos. Retrato e identidad colectiva en una sociedad en transición (2009). My research on Iconography of Power, including Festivals, began with several research projects granted by the Spanish Scientific Ministery, including three as PI, about nuptial iconography in the European Courts (2009-2010 and 2010-2012), Architecture of Power (2013-2015) and House of Habsburg Iconography (2016-2018). Within the same line of investigation, I also direct two PhD students whose doctoral theses, on Renaissance and Barroque Valencian portrait and Iconography and festivals in the Duchy of Bougundy, will be read in 2017 and 2018, respectively. My research on Emblem Studies and Urbanism History has produced a great number of contributions in conference and peer-reviewed publications.

Research monographs:
-I. Rodríguez, La mirada del virrey. Iconografía del poder en la Nueva España (UJI, Castellón, 2003).
-V. Mínguez, I Rodríguez, Las ciudades del absolutismo. Arte, urbanismo y magnificencia en Europa y América durante los siglos XV-XVIII (UJI, Castellón, 2006).
-I. Rodríguez, El retrato en México: 1781-1867. Héroes, emperadores y ciudadanos para una nueva nación (Diputación de Sevilla, Universidad de Sevilla, CSIC, Sevilla, 2006).
-V. Mínguez, P. González, I. Rodríguez, La fiesta barroca. El Reino de Valencia, 1599-1802 (UJI, Castellón, 2010).
-V. Mínguez, I. Rodríguez, P. González, J. Chiva, La fiesta barroca. Los virreinatos americanos, 1559-1808 (UJI, Castellón, 2012).
-I. Rodríguez, V. Mínguez, Himeneo en la corte. Poder, representación y ceremonial nupcial en el arte y la cultura simbólica (CSIC, 2013)
-V. Mínguez, I. Rodríguez, Napoleón y el espejo de la Antigüedad. Arqueología de las imágenes del poder (Universidad de Valencia, 2014).  
-I. Rodríguez, V. Mínguez, The Seven Ancient Wonders in the Early Modern World (Routledge, 2017).

Education

Phd in Art History

Areas of Research / Professional Expertise

Art History, Emblematic, Iconography, Cultural Heritage, Baroque Festivals, Latin American Art

Personal Interests

Cinema, Books, Travel

Websites

• Academia

• Grupo IHA

Books

Articles