Foreword Donald Hutera Notes on contributors Acknowledgements 1. Introduction: Navigating the known Liz Aggiss and Billy Cowie 2. The aesthetics of smash and grab Carol Brown 3. Writing dance Deborah Levy 4. Liz Aggiss and ‘Authentick’ grotesque expressionism Marion Kant 5. Choreographic vocabulary 1: Visual metaphor Billy Cowie 6. Outsider Performance: A raw vision: Dance and learning difficulties Liz Aggiss 7. Deconstruction in Die Orchidee: Mischievous plays in the spaces between language and meanings Valerie A Briginshaw 8. Hilde Holger, spirit and maracas Claudia Kappenberg and Liz Aggiss 9. Choreographic vocabulary 2: Time and rhythm Billy Cowie 10. The impossibility of the review in the mind of the critic Ian Bramley 11. Deconstructing Heidi Sondra Fraleigh 12. Choreographic vocabulary 3: Space Billy Cowie 13. Screen Divas: A filmic expression of the grotesque aesthetic Sherril Dodds 14. Reconstruction: Or why you can never step into the same river twice Liz Aggiss 15. Anarchic dance Billy Cowie Afterword Liz Aggiss and Billy Cowie Work Bibliography Index
Biography
Liz Aggiss is a dancer, performer, choreographer and filmmaker. Awards include Bonnie Bird, Czech Crystal 2002, Special Jury Award Houston 2003, Best Woman Film Mediawaves Hungary 2003, Romanian Cinematography Award 2003. Received Arts Council Dance Fellowship 2003. Currently Professor of Visual Performance at Brighton University.
Billy Cowie is a choreographer, composer and filmmaker. His awards include Czech Crystal Prague Golden Film Festival 2002, Special Jury Golden Award Houston 2003, Romanian National Office of Cinematography Award 2003. He is currently a Principal Research Fellow at the University of Brighton.
'An excellent document of the work of Liz Aggiss & Billy Cowie.' – Lea Anderson
