1st Edition

Sociology, Religion and Grace

By Arpad Szakolczai Copyright 2007
    416 Pages
    by Routledge

    416 Pages
    by Routledge

    This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

    Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

    The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

    Introduction: Grace And Gift-Giving Beyond Charisma

    Part I: The Births And Re-Births Of Grace In Antiquity

    1. Minoan Grace

    2. Grace In Greece

    3. The Three Graces

    Part II: The Experiential Bases Of Tuscan Renaissance Painting

    4. The Tuscan Renaissance

    5. The Tuscan ‘Maniera Greca’ And Its Experiential Bases

    6. Cimabue And The Bonaventuran Origins Of Renaissance Painting

    Part III: The Flowering And Demise Of Renaissance Grace

    7. Leonardo Da Vinci: The Early Years

    8. Leonardo Da Vinci: The Mature Works

    9. Michelangelo

    10. Raphael

    Conclusion: Retrieving Connections

    Biography

    Arpad Szakolczai

    "In sum, the book is an adventurous critique of the modern world."

    -- Duane J. Osheim, Renaissance Quarterly