1st Edition

Rethinking Third Cinema

Edited By Wimal Dissanayake, Anthony Guneratne Copyright 2003
256 Pages
by Routledge

256 Pages
by Routledge

256 Pages
by Routledge

This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from... Read more
Introduction Rethinking Third Cinema. Anthony R. Guneratne Third Cinema Theory and Beyond Beyond Third Cinema: The Aesthetics of Hybridity Robert Stam Challenging Third World Legacies: Issues of Gender, Culture and Representation Feminist Genealogies, Colonial Legacies, Democratic Futures Ella Shohat The Erotics of History: Gender and Transgression in the New Asian Cinemas Sumita Chakravarty Alternative Cinemas in the Age of Globalization Authorship, Globalization and the New Identity Politics of Latin American Cinema: From the Mexican 'Ranchera' to Argentinian 'Exile' Marvin D'lugo Video Booms and the Manifestations of 'First' Cinema in Anglophone Africa N. Frank Ukadike The Relocation of Culture: Social Specificity and the Third Question What's 'Oppositional' in Indonesian Cinema? Krishna Sen The Seductions of Homecoming: Place, Authenticity, and Chen Kaige's 'Temptress Moon' Rey Chow Receiving/Retrieving Third (World) Cinema: Alternative Approaches to Spectator Studies and Critical History Theorizing 'Third World' Spectatorship - The Case of Iran and Iranian Cinema Hamid Naficy Rethinking Indian Popular Cinema: Towards Newer Frames of Understanding Wimal Dissanayake

Biography

Anthony Guneratne teaches film, media and visual culture at Florida Atlantic University and is presently a visiting scholar in Harvard University's Department of English. He has written on the literature and films of postcoloniality and on various topics in Indian and Singaporean cinema. His book, Cinehistory: The Representation of Reality in Documentaryand Narrative Cinema is due to be oublished shortly.