1st Edition

Shakespeare and Modern Theatre The Performance of Modernity

    224 Pages
    by Routledge

    224 Pages
    by Routledge

    The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.

    List of contributors, General editor’s preface, Acknowledgements, Introduction, 1 Modernity, modernism and postmodernism in the twentieth-century’s Shakespeare, 2 ‘To kill a king’: the modern politics of birdicide, 3 The problem of professionalism in twentieth-century stagings of Hamlet, 4 Translation at the intersections of history, 5 Women’s work and the performance of Shakespeare at the Royal Shakespeare Company, 6 Shakespearean performativity, 7 Heresies of style: some paradoxes of Soviet Ukrainian modernism, 8 ‘Lice in fur’: the aesthetics of cheek and Shakespearean production strategy, Bibliography, Index

    Biography

    Michael Bristol, Kathleen McLuskie, Christopher Holmes

    'A worthwhile purchase for anyone interested in modernism, Shakespeare, performance and the culture industry.' - The Magazine of Shakespeare's Globe