192 Pages
by
Routledge
192 Pages
by
Routledge
192 Pages
by
Routledge
Also available as eBook on:
Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.
Engaging with the social and cultural heritage... Read more
Introduction: sound clash: theology, culture and the Black Atlantic PART 1 Church hall, dancehall and resistance 1 Theorising the politics of sound 2 Diasporic dialogue: the emergence of sound systems and Pentecostal churches 3 The set and the spirit: dancehall and church hall as cultural resistance PART 2 Dub, interpretation and Christology 4 The gospel of dub: origins and development 5 Dub hermeneutics: form and content 6 Jesus dub 7 Echo chamber: dialogue with William (Lez) Henry PART 3 Dub, theology and social change 8 Spirit dub: towards heteroglossia 9 Prosperity dub: commonwealth economics Conclusion: theology and culture dub
Biography
Robert Beckford teaches at the University of Birmingham, in the department of American and Canadian Studies. He has written several books in the field of Black theology and Black culture in Britain, including God and the Gangs (2004), God of the Rahtid (2003), Dread and the Pentecostal (2000) and Jesus is Dread (1998). As well as writing and teaching, Robert is a British Academy of Film and Television (BAFTA) award-winning documentary presenter, working with Channel 4 television.
