1st Edition

Queer Cinema, The Film Reader

Edited By Harry Benshoff, Sean Griffin Copyright 2004
256 Pages
by Routledge

252 Pages
by Routledge

Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts. Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss: Authorship - examining the... Read more
Part One: Auters 1. Whose Text is it Anyway? Queer Cultures, Queer Auters, and Queer Authorship  2. Physique Cinema, 1945-1969: Hard to Imagine  3. Transgressive Cinema: Lesbian Independent Film  4. The New Queer Cinema, Part Two: Forms  5. The Monster and the Homosexual  6. Queer Negotiations of the Hollywood Musical  7. Queer Noir, Part Three: Camp 8. Camp and the Gay Sensibility 9. Reclaiming the Discourse of Camp, Part Four: Reception  10. Judy Garland and Gay Men  11. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics  12. 'Out of the Closet and into the Universe': Queers and Star Trek  13. Reviewing Queer Viewing

Biography

Harry M. Benshoff is an Assistant Professor in Radio, Television and Film at the University of North Texas. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997) and co-author (with Sean Griffin) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004)
Dr. Sean Griffin is an Assistant Professor in the Division of Cinema-Television at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (NYU Press, 2000), and co-author (with Harry M. Benshoff) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004).

'Four Stars ... there is much to appreciate here' - Film Review