Skip to Content

Jean Genet

By David Bradby, Clare Finburgh

Published October 31st 2011 by Routledge – 214 pages

Series: Routledge Modern and Contemporary Dramatists

    Purchasing Options:

    Description

    Jean Genet’s significance within twentieth-century theatre has long been understated. This timely book, the only introductory text in English to Genet’s plays in production, presents an overview of an influential and controversial writer whose work prefigured many recent postmodern and post-colonial developments in theatre and performance studies.

    The volume offers philosophical, historical, political and aesthetic readings of Genet’s plays in order to render the complexity of his theatre exhilarating, rather than intimidating. It goes on to explore ways in which different directors, designers and actors have approached his writing. A spectrum of productions spanning 60 years, from 1947 to 2007, illustrates the sheer range of theatrical styles that Genet’s texts inspire.

    Reflecting on his early life and later political activism as well as the key plays, David Bradby and Clare Finburgh provide a comprehensive discussion of a playwright and theorist whose work caused riots in France, and whose writing represents a unique synthesis of life and art.

    Contents

    Contents

    List of illustrations

    Acknowledgements

    Part I

    Life, politics and play-texts

    1 Life and politics

    2 Key early plays: The Maids, Deathwatch, Splendid’s

    3 Key late plays: The Balcony, The Blacks, The Screens

    Part II

    Key productions

    4 Key productions and production issues: The Maids, Deathwatch

    5 Key productions and production issues: The Balcony, The Blacks

    6 Key productions and production issues: The Screens

    Notes

    Bibliography

    Index

    Author Bio

    David Bradby was Emeritus Professor of Drama and Theatre Studies at Royal Holloway. He was the UK’s leading specialist in modern French theatre, writing several seminal works on the subject, including Le Théâtre en France (2007) and Modern French Drama (1984, 1991). He was also a prolific translator of French dramatists, including Michel Vinaver and Bernard-Marie Koltès.

    Clare Finburgh is Senior Lecturer in Modern Drama at the University of Essex. She has co-edited Genet: Performance and Politics (with Carl Lavery and Maria Shevtsova, 2006) and Contemporary French Theatre and Performance (with Carl Lavery, 2011). She has published many articles on Genet, and a range of contemporary French and Francophone theatre-makers including Valère Novarina, Noëlle Renaude and Kateb Yacine.

    Name: Jean Genet (Paperback) – Routledge 
    Description: By David Bradby, Clare Finburgh. Jean Genet’s significance within twentieth-century theatre has long been understated. This timely book, the only introductory text in English to Genet’s plays in production, presents an overview of an influential and controversial...
    Categories: Drama by Period - 20th Century to Present