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Genders and Sexualities in Indonesian Cinema: Constructing gay, lesbi and waria identities on screen book cover

1st Edition

Genders and Sexualities in Indonesian Cinema Constructing gay, lesbi and waria identities on screen

By Ben Murtagh Copyright 2013
216 Pages 20 B/W Illustrations
by Routledge

216 Pages 20 B/W Illustrations
by Routledge

216 Pages 20 B/W Illustrations
by Routledge
Also available as eBook on:
Indonesia has a long and rich tradition of homosexual and transgender cultures, and the past 40 years in particular has seen an increased visibility of sexual minorities in the country, which has been reflected through film and popular culture. This book examines how representations of gay, lesbian and transgender individuals and communities have developed in Indonesian cinema during this period.... Read more
1. Introduction  2. Wadam, Waria and the Story of a Man who Became a Woman: Non-normative Genders in the 1970s  3. The First Indonesian Gay Movie: Gay men in the cinema of the 1980s  4. Lesbi in the Metropolis: Stories of sex and salvation in Indonesian cinema of the 1990s  5. Modern Gay Men and Fear of the Queer Unwanted: Positive images from the Reform Era  6. Old Concerns in a New Era? Images of lesbi in the new millennium  7. A Proliferation of Storylines: Alternative masculinities in mainstream cinema

Biography

Ben Murtagh is Senior Lecturer in Indonesian and Malay at SOAS, University of London and managing editor of the journal Indonesia and the Malay World.

"In revealing the richness and contestability of gender and sexuality in Indonesia Murtagh’s book is a triumph."
-Sharyn Graham Davies, Auckland University of Technology

"...I strongly urge you, dear reader, to enjoy this text yourself.  We are now in an era where the study of internet technologies, particularly social media (like Facebook) and smartphones, has moved to centre stage. This is appropriate (and reflected in my own research) but it behooves us to remember that the earlier technologies of film and television remain incredibly relevant. They shaped the historical context of current digital cultures in Indonesia and beyond, and have moved into those cultures as key content to be viewed, circulated and commented upon. It is precisely in such times of transformation that historical context is so important. GSIC will take a well-deserved place as a canonical analysis of gay, lesbi and waria-related cinema in modern Indonesia. We cannot understand contemporary Indonesia without the insights Murtagh provides."
Tom Boellstorff
Asian Journal of Social Science 43 (2015) 515–531

 

 

 

 

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