Introduction 1. The Canon in Practice 2. The History of the Discipline or How it Became Possible to Study Film 3. The History of the canon: The Development (and deconstruction) of the film studies canon 4. Key Approaches: Genre Theory 5.Competing Approaches: Screen Theory 6.Reading a film 7. Film Studies and Narrative Theories 8. Spectatorship and Audience Studies 9. Creative Engagement 10. Film and Identity 11. Postmodernism and Cultural studies 12. Film as Industry Index
Biography
Sarah Casey Benyahia is a teacher of Film and Media Studies. She is the author of Crime (2011), Teaching Contemporary British Cinema (2005) and co-author of several film and media studies text books.
Claire Mortimer is a teacher of Media and Film Studies. She is the author of Romantic Comedy (2010) and co-author of AS Media Studies: The Essential Introduction for WJEC (2011).
