Literature and Experience
By Ewan Fernie
Foreword by Jonathan Dollimore
Routledge – 2013 – 336 pages
Are we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we’re not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line?
Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann.
A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it’s concerned with the great works, this is a book about life.
"…mind-blowingly insightful… I cannot recommend the book enough!" - Annie Martirosyan, Huffington Post
"Fernie offers an uncommonly inviting study that readers can sink their discriminating teeth into with gusto. He presents an irresistible, meticulously prepared, expertly executed, and aesthetic smorgasbord in the form of one savory reading after another of assorted literary texts… Highly recommended." -Choice
"Provocative and profound – a thrilling and radical account of the allure of the demon in us all." Salley Vickers, author of Miss Garnet’s Angel
"Ewan Fernie's study of the demonic in canonical literature is an original and exciting work of scholarship. Beautifully written, and continuously engaging, this book surprises the reader at almost every turn with insights into literature that remain in the mind and change how we think of poems and narratives we thought we knew well." Kevin Hart, Edwin B. Kyle Professor of Christian Studies at the University of Virginia, USA
"That the word "evil" contains within itself the word "live" is merely a lexical accident, but that the demonic might yet reveal what it means to truly or finally live is the profound mystery at the heart of Ewan Fernie's book, which, in brilliantly ranging right across the Western literary canon, succeeds in alerting us to the sheer vitality in our cultural inheritance of demonic experience, or what Fernie calls the "life that is opposed to life". And in this life-against-life Fernie finds or senses a way of being-in-the-world that we might not only dare to call truly human but even, perhaps and paradoxically, good or divine."John Schad, Professor of Modern Literature at the University of Lancaster, UK
"With dazzling range and depth, Ewan Fernie has tackled a subject that we ignore at our peril: the demonic. He not only mines cultural resources—from Luther to Kierkegaard, from Marlowe to Dostoevsky, from Nietzsche to Schreber—to examine the experience of the demonic, but more: with his compelling prose, Fernie manages to create the experience of the demonic for us. This is not a book for the faint of heart. It reveals the relationship of the demonic to contemporary thought on negativity, to the darkness of possession, and to the transcendence of the sacred, showing that 'sainthood is perilously close to damnation'. This book immeasurably enhances our understanding of the problem of evil." Regina M. Schwartz, Professor of English and Law, Northwestern University, USA
"The Demonic: Literature & Experience is a bold, trailblazing book of formidable intellectual scope and ethical intensity. Through radical reappraisals of masterpieces by Shakespeare, Milton, Goethe, Dostoevsky and Mann, and through dialogues with thinkers as diverse as Luther, Hegel, Nietzsche, Kierkegaard and Freud, it reveals the demonic as a vital force in our daily lives that we disavow to our cost. A passionate, seductive defence of the dark side by a critic committed to making literature matter." Kiernan Ryan, Professor of English Language & Literature, Royal Holloway, University of London, UK
'Fernie offers an uncommonly inviting study that readers can sink their discriminating teeth into with gusto. He presents an irresitable, meticulously prepared, expertly executed, aesthetics smorgasbord in the form of one savory reading after another of assorted literary texts… Highly recommended.' - Choice
Part One: Demonic Negativity 1. Dark Night of the Soul 2. Luther: Man between God and the Devil 3. Marlowe’s Doctor Faustus 4. Demonic Macbeth 5. Satan (and Demonic Sex) 6. A Justified Sinner 7. Dostoevsky’s Demons 8. Thomas Mann as Dr Faustus (via Love’s Labour’s Lost) 9. She Devil 10. Loving the Alien Part Two: Turnabout and Dialectic 11. Kierkegaard Trembling 12. Nietzsche: A Demon that Laughs 13. The Marriage of Heaven and Hell 14. Demonic Dialectic: Boehme, Schelling, Hegel Part Three: Possession 15. Introduction A. The Agony in Possessing 16. Angelo 17. Claggart 18. Possessing a Child 19. Possessive God 20. Christ the Possessor B. The Possessed 21. Introduction 22. Donne 23. Poor Tom 24. A Freudian Interruption 25. The Devils of Loudon 26. Jane Lead 27. The Master of Petersburg 28. Schreber
Ewan Fernie is Professor of Shakespeare Studies at the Shakespeare Institute, University of Birmingham, author of Shame in Shakespeare, and joint General Editor of the Shakespeare Now! series. Redcrosse, his latest, collaborative project, is a new poetic liturgy for St George's Day, which has been performed in major cathedrals and by the RSC, and a book published in 2012.