1st Edition

Arnheim for Film and Media Studies

Edited By Scott Higgins Copyright 2011
304 Pages
by Routledge

304 Pages
by Routledge

304 Pages
by Routledge

Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media... Read more

Foreword: Rudolf Arnheim in Retrospect, Dudley Andrew

Introduction, Scott Higgins

1. Rudolf Arnheim: Clarity, Simplicity, Balance, David Bordwell

2. Arnheim and Modernism, Malcolm Turvey

3. Rudolf Arnheim’s Early Passage between Social and Aesthetic Film Criticism,

Eric Rentschler

4. Screening Out Sound: Arnheim and Cinema’s Silence, Nora M. Alter

5. A Gestalt Approach to Film Analysis, Meraj Dhir

6. Deft Trajectories for the Eye: Bringing Arnheim to Vincente Minnelli’s Color Design, Scott Higgins

7. Perfecting the Complete Cinema: Rudolf Arnheim and the Digital Intermediates, Jinhee Choi

8. Art, Accident, and the Interpretation of the Modern World, Patrick Keating

9. Visual Thinking of the Avant-Garde Film, Maureen Turim

10. Arnheim on Radio: Materialtheorie and Beyond, Shawn VanCour

11. Television from Afar: Arnheim’s Understanding of Media, Doron Galili

12. Arnheim and Comics, Greg M. Smith

13. Arnheim on Style History, Colin Burnett

14. Arnheim on the Ontology of the Photographic Image, Vincent Bohlinger

Notes on Contributors

Biography

Scott Higgins

"...this volume is a bracing and engaging read, swiftly moving from one film to the next, and one aspect of the cinema to another, to give a comprehensive overview of Arnheim's continuing impact on film criticism." - CHOICE, April 2011