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object(stdClass)#96 (3) { ["hits"]=> object(stdClass)#97 (18) { ["bindingStyleCode"]=> string(4) "HARD" ["categories"]=> string(6) "SCLA05" ["edition"]=> int(1) ["id"]=> int(69001) ["imprint"]=> string(9) "Routledge" ["isbn"]=> string(13) "9780415971287" ["isbn10"]=> string(10) "0415971284" ["keywords"]=> string(92) "AUTHORING SELF REPRESENTATION AUTHORSHIP PRINT MARKET BRITISH POETRY POPE THROUGH WORDSWORTH" ["originators"]=> object(stdClass)#98 (3) { ["id"]=> int(4286710) ["name"]=> string(10) "Scott Hess" ["roleCode"]=> string(2) "VE" } ["publicationDate"]=> string(25) "2004-12-29T19:00:00-05:00" ["relevance"]=> float(12.4881315) ["series"]=> string(38) "Literary Criticism and Cultural Theory" ["seriesCodes"]=> string(14) "LITCRITANDCULT" ["shortDescription"]=> string(296) "Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for" ["sku"]=> string(6) "RT1284" ["subjectGroup"]=> string(18) "Hardback Monograph" ["subtitle"]=> string(100) "Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth" ["title"]=> string(18) "Authoring the Self" } ["query"]=> object(stdClass)#99 (5) { ["bindingPriority"]=> string(54) "PAPE,HARD,PCK,PKCC,PKCD,PKWE,EBK,DVD,CDRM,AUDC,WEB,AUD" ["size"]=> int(10) ["sort"]=> object(stdClass)#100 (2) { ["key"]=> string(21) "SortByPublicationDate" ["direction"]=> string(10) "Descending" } ["start"]=> int(1) ["suggestSpelling"]=> bool(false) } ["totalHits"]=> int(1) }