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    <title type="text">Routledge Art &amp; Visual Culture &#45; Articles</title>
    <subtitle type="text">Articles, news, promotions and updates from Routledge and the Taylor &amp; Francis Group.</subtitle>
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    <updated>2013-02-02T13:23:47Q</updated>
    <rights>Copyright (c) 2013, Routledge</rights>
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    <entry>
      <title>An Introduction to Design and Culture</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/an_introduction_to_design_and_culture/" />
      <id>tag:,2012:/articles/1.12897</id>
      <published>2012-12-20T13:39:54Q</published>
      <updated>2012-12-20T13:48:55Q</updated>
      <content type="html"><![CDATA[
        <p>
	1900 to the Present, 3rd Edition<br />
	<br />
	By <strong>Penny Sparke<br />
	<br />
	</strong>This third edition of <em>An Introduction to Design and Culture </em>has been revised and updated throughout to include issues of globalization, sustainability and digital/interactive design.</p>
<p>
	<strong>Order your complimentary exam copy...<br />
	</strong></p>
<p>
	New for this edition is a chapter which covers key changes in design culture. Design culture has changed dramatically in the 21st century, the designer-hero is now much less in evidence and design has become much more interdisciplinary.</p>
<p>
	Drawing on a wealth of mass-produced artefacts, images and environments including sewing machines, cars, televisions, clothes, electronic and branded goods and exhibitions, author Penny Sparke shows how design has helped to shape and reflect our social and cultural development.</p>
<p>
	This introduction to the development of modern (and postmodern) design is ideal for undergraduate students.<br />
	<br />
	<strong><a href="http://www.routledge.com/books/details/9780415686198/">Order your complimentary exam copy...</a></strong></p>
      ]]></content>
    </entry>

    <entry>
      <title>Fifty Key Writers on Photography</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/fifty_key_writers_on_photography/" />
      <id>tag:,2012:/articles/1.12896</id>
      <published>2012-12-20T13:33:59Q</published>
      <updated>2012-12-20T13:38:01Q</updated>
      <content type="html"><![CDATA[
        <p>
	Edited by <strong>Mark Durden<br />
	</strong><br />
	Series: <em>Routledge Key Guides</em></p>
<p>
	Fifty Key Writers on Photography is a clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium.</p>
<p>
	<strong>Order your complimentray exam copy...</strong></p>
<p>
	This book provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include:</p>
<p>
	&bull; Roland Barthes<br />
	&bull; Susan Sontag<br />
	&bull; Jacques Derrida<br />
	&bull; Henri Cartier-Bresson<br />
	&bull; Geoffrey Batchen</p>
<p>
	Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.</p>
<p>
	<strong><a href="http://www.routledge.com/books/details/9780415549455/">Order your complimentray exam copy...<br />
	</a></strong></p>
      ]]></content>
    </entry>

    <entry>
      <title>Visual Communication on the Web</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/visual_communication_on_the_web/" />
      <id>tag:,2012:/articles/1.12895</id>
      <published>2012-12-20T13:26:43Q</published>
      <updated>2012-12-20T13:32:44Q</updated>
      <content type="html"><![CDATA[
        <p>
	By <strong>xtine burrough</strong> and&nbsp;<strong>Paul Martin Lester</strong></p>
<p>
	Most web design books developed for the trade market are a series of exercises without a theoretical, aesthetic, or historic framework. In this book, <em>Visual Communication on the Web</em>, web design exercises are accompanied by concise introductions.&nbsp;</p>
<p>
	<strong>Includes a free one-year subscription to the Interactive e-Text version.</strong></p>
<p>
	<strong><br />
	</strong></p>
<p>
	In this book, <em>Visual Communication on the Web</em>, web design exercises are accompanied by concise introductions that relate history, design principles, and visual communication theories to the practice of designing for the web.</p>
<p>
	Specifically, <em>Visual Communication on the Web</em> teaches the reader to develop one dynamic web page over the course of 14 chapters. Exercises build upon each other so the reader creates and revises the work while learning new code or tools. Predictable mistakes are purposely included so that readers learn how to &#39;fix&#39; the project while working on it&mdash;a much-needed skill for anyone interested in coding. By the end of this course-in-a-book, readers will have created a web page with a centered container div, a Lightbox image gallery, and an external style sheet using HTML, CSS, and copy-pasted and modified code.</p>
<p>
	The Interactive eTextbook provides concise videos of burrough detailing some of the more complex step-by-step instructions and original chapter introductions by Lester. Users of the eTextbook may also engage in a traditional assessment exercise to test their knowledge of new material. For those who aren&rsquo;t reading electronically, many of these resources are freely available on the blog, viscommontheweb.wordpress.com.</p>
<p>
	<strong><a href="http://www.routledge.com/books/details/9780415521482/">Order your complimentary exam copy...</a></strong></p>
      ]]></content>
    </entry>

    <entry>
      <title>Have you seen the companion website?</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/have_you_seen_the_companion_website/" />
      <id>tag:,2012:/articles/1.12679</id>
      <published>2012-11-26T09:04:36Q</published>
      <updated>2012-11-26T09:53:37Q</updated>
      <content type="html"><![CDATA[
        <p>
	Did you know <em>Reframing Photography </em>is more than just a textbook? We have a wide range of online resources available at the book&#39;s companion website, including&nbsp;updated information on equipment and&nbsp;further activities, information and links to related sites.<br />
	&nbsp;</p>
<p>
	<strong>To fully understand photography, it is essential to study both the theoretical and the technical. </strong></p>
<p>
	In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice.<em> Reframing Photography </em>is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials.<br />
	<br />
	<a href="http://www.routledge.com/books/details/9780415779203/">Find out more about the <strong>book</strong></a>.</p>
<p>
	<a href="http://www.reframingphotography.com">Visit the <strong>companion website</strong></a>.</p>
      ]]></content>
    </entry>

    <entry>
      <title>Image Studies</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/image_studies/" />
      <id>tag:,2012:/articles/1.12642</id>
      <published>2012-11-22T15:49:46Q</published>
      <updated>2012-12-20T13:33:47Q</updated>
      <content type="html"><![CDATA[
        <p>
	Theory and Practice<br />
	<br />
	By <strong>Sunil Manghani</strong></p>
<p>
	<strong>Now Available</strong></p>
<p>
	This title offers&nbsp;an engaging introduction to visual and image studies.</p>
<p>
	<strong>Read more...</strong></p>
<p>
	<strong><br />
	</strong></p>
<p>
	In order to better understand images and visual culture the book seeks to bridge between theory and practice; asking the reader to think critically about images and image practices, but also simultaneously to make images and engage with image-makers and image-making processes.</p>
<p>
	<a href="http://www.routledge.com/books/details/9780415573405/">Read&nbsp;reviews&nbsp;of this title</a>...</p>
      ]]></content>
    </entry>

    <entry>
      <title>The Fashion History Reader wins at Art Association of Australia and New Zeland</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/the_fashion_history_reader_wins_at_art_association_of_australia_and_new_zel/" />
      <id>tag:,2011:/articles/1.7411</id>
      <published>2011-12-14T15:20:41Q</published>
      <updated>2011-12-14T15:27:42Q</updated>
      <content type="html"><![CDATA[
        <p>
	We are delighted to announce that <em>The Fashion History Reader</em> has been awarded a prize for &#39;Best Edited Book&#39; at the Art Association of Australia and NZ - (AAANZ): Art Historians of Australasia, Annual General Meeting, held earlier this month.</p>
<p>
	The Fashion History Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history.&nbsp; Find out more about this title <a href="http://www.routledge.com/books/details/9780415493246/">here</a>.</p>
      ]]></content>
    </entry>

    <entry>
      <title>The Fashion History Reader</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/the_fashion_history_reader/" />
      <id>tag:,2010:/articles/1.3804</id>
      <published>2010-07-14T09:13:40Q</published>
      <updated>2010-08-04T12:10:41Q</updated>
      <content type="html"><![CDATA[
        <p>
	<em><a href="http://www.routledge.com/9780415493246">The Fashion History Reader </a></em>is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history. It identifies the history of fashion as a meeting point between the long-standing historical investigation of &lsquo;dress&rsquo; and &lsquo;costume&rsquo; and is a comprehensive resource for those who wish to further their engagement with fashion as a contemporary phenomenon.</p>
      ]]></content>
    </entry>

    <entry>
      <title>Photography: Theoretical Snapshots</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/photography_theoretical_snapshots/" />
      <id>tag:,2010:/articles/1.3803</id>
      <published>2010-07-14T09:07:07Q</published>
      <updated>2010-08-04T12:10:08Q</updated>
      <content type="html"><![CDATA[
        <p>
	<em><a href="http://www.routledge.com/9780415477079">Photography: Theoretical Snapshots</a></em> offers exciting perspectives on photography theory today from some of the world&rsquo;s leading critics and theorists. It introduces new means of looking at photographs, and addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group.</p>
      ]]></content>
    </entry>

    <entry>
      <title>The Pictorial Turn</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/the_pictorial_turn/" />
      <id>tag:,2010:/articles/1.3788</id>
      <published>2010-07-12T13:23:22Q</published>
      <updated>2010-07-12T13:25:23Q</updated>
      <content type="html"><![CDATA[
        <p>
	This seminal collection of essays is the first to be devoted to the pictorial turn. It brings together theorists from across the humanities and social sciences with a paleontologist and practising artists. Together they consider the relation between pictures and images, the power of landscape, the life of images, and the pictorial uncanny amongst many other things.</p>
      ]]></content>
    </entry>

    <entry>
      <title>Contemporary British Art</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/contemporary_british_art/" />
      <id>tag:,2010:/articles/1.3786</id>
      <published>2010-07-12T13:14:03Q</published>
      <updated>2010-08-04T12:01:04Q</updated>
      <content type="html"><![CDATA[
        <p>
	The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape. <em><a href="http://www.routledge.com/9780415389747">Contemporary British Art </a></em>is an ideal introduction to the field, taking a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s.</p>
      ]]></content>
    </entry>

    <entry>
      <title>Contemporary Art and the Cosmopolitan Imagination</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/contemporary_art_and_the_cosmopolitan_imagination/" />
      <id>tag:,2010:/articles/1.3783</id>
      <published>2010-07-12T11:36:28Q</published>
      <updated>2010-08-04T12:00:29Q</updated>
      <content type="html"><![CDATA[
        <p>
	Art can change the way we imagine, understand and engage with the world and with others very different than ourselves. In this sense, art participates in a critical dialogue between cosmopolitan imagination, embodied ethics and locational identity. <em><a href="http://routledge.com/books/details/9780415469203/">Contemporary Art and the Cosmopolitan Imagination</a></em> offers a challenging new direction in the current literature on cosmopolitanism, globalisation and art.</p>
      ]]></content>
    </entry>

    <entry>
      <title>Photography: A Critical Introduction, 4th Edition</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/photography_a_critical_introduction_4th_edition/" />
      <id>tag:,2009:/articles/1.445</id>
      <published>2009-09-22T20:23:19Q</published>
      <updated>2009-12-23T00:31:20Q</updated>
      <content type="html"><![CDATA[
        <p>
	Edited by <strong>Liz Wells</strong></p>
<p>
	This revised and updated fourth edition examines key debates in photographic theory and places them in their social and political contexts. New and improved sections include: key concepts, biographies of major thinkers, and seminal references; a full glossary of terms, comprehensive bibliography and new chapter abstracts; updated resource information, including guides to public archives and useful websites.</p>
      ]]></content>
    </entry>

    <entry>
      <title>An Introduction to Visual Culture, 2nd Edition</title>
      <link rel="alternate" type="text/html" href="http://www.routledge.com/articles/an_introduction_to_visual_culture_2nd_edition/" />
      <id>tag:,2009:/articles/1.446</id>
      <published>2009-09-22T19:31:29Q</published>
      <updated>2009-12-23T00:35:30Q</updated>
      <content type="html"><![CDATA[
        <p>
	By <strong>Nicholas Mirzoeff</strong></p>
<p>
	Tracing the history and theory of visual culture, from painting to the World Wide Web, <em>An Introduction to Visual Culture</em> asks how and why visual media have become so central to everyday life. Revised and updated, new features in the second edition include Key Image studies from Holbein&#39;s <em>The Ambassadors</em>, to <em>Blade Runner</em> and the Abu Ghraib atrocities; and a Key Words section in each chapter, discussing vital critical terms and the debates that surround them.</p>
      ]]></content>
    </entry>


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