1st Edition

Diverse Voices in Photographic Albums “These Are Our Stories”

Edited By Mary Trent, Kris Belden-Adams Copyright 2022
    250 Pages 48 B/W Illustrations
    by Routledge

    Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities.

    The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible.

    The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.

    Introduction

    1. The Album’s Diverse Histories

    Mary Trent

    Complicating Family Narratives

    2. Women on Holiday: Intergenerational Narratives in Photographic Albums from India

    Suryanandini Narain

    3. ‘Children of Shadowland’: A Family’s Scrapbook Story of Intellectual Disability

    James Trent

    4. Henry Darger’s Album of Orphans and Fugitives

    Mary Trent

    Stepping Out of "the Closet," Privately

    5. ‘Dropping Hairpins’: Cisgender Performance and ‘Homosociality’ in William Whitney’s Fin-de-Siècle College Albums

    Kris Belden-Adams

    6. A Scissored Gay Life of the 1930s and 1940s: The Scrapbooks of Ogden Salmon

    James Kaser

    7. In Plain Sight: Album-Making and Queer Identity in Mid-Twentieth-Century South Africa

    Danielle Kinsey

    Retelling National and International Histories

    8. ‘We Carry the Weight of a 150-Year Legacy’: Sharing the Memories of a U.S. Civil War Photograph Album

    Michèle Gates Moresi

    9. The Politics of Floating: Space and Experience in G. Prat photograph album of China and Japan, 1874-1900

    Xinyue Yuan

    10. Collecting the Indian Congress: Reframing Indigenous Photography Albums from the Trans-Mississippi and International Exposition

    Karen Barber

    11. Secrets from the Family Album: Official and Silenced Knowledge on Migration

    Ya’ara Gil-Glazer

    Conclusions

    12. Conclusions: Albums and Diverse Communities

    Kris Belden-Adams

    Afterword

    Margaret Vendryes

    Biography

    Mary Trent is an Assistant Professor of Art and Architectural History at College of Charleston, South Carolina, USA.

    Kris Belden-Adams is an Associate Professor of Art History at the University of Mississippi, USA.

    "Recommended. ...This volume examines a large range of photo albums in three varied categories—family, female homosexuality, and history. ... In addition to the texts, the book includes an enormous number of informative references, footnotes, bibliographies, biographies, and more."

    --CHOICE