1st Edition
Transmedia Narratives for Cultural Heritage Remixing History
Acronyms
Introduction: Transmedia for Cultural Heritage
PART 1 – GETTING ON THE SAME PAGE
Chapter 1: Digital Narratives Across Disciplines
Chapter 2: Mapping and Analysing Interactive Digital Narrative Genres
PART 2 – THEORETICAL FOUNDATIONS FOR NON-FICTION DIGITAL NARRATIVES
Chapter 3: A Seven-Phase Theoretical Framework for Project Teams
Chapter 4: Remixing Narratives for Cultural Heritage – A Method of Transmedia Invention
PART 3 – CASE STUDIES OF REMIXING CULTURAL HERITAGE IN CREATIVE PRACTICE
Chapter 5: UNESCO World Heritage Australian Convict Sites
Chapter 6: The National Famine Way of Ireland
Conclusion: Final Reflections and the Future of Historical Transmedia NarrativesReferences
Appendices
Glossary
Biography
Nicole Basaraba received her PhD from Trinity College Dublin, Ireland with a specialisation in digital media narratives and digital humanities. Her research focuses on evaluating and finding best practices for creating interactive digital narratives in non-fiction genres. She is particularly interested in how participatory digital culture impacts storytelling practices in cultural heritage and tourism contexts, such as in creative and digital place-making. Basaraba also has a Master of Arts in Communications and Technology from the University of Alberta, Canada. She has presented at over 20 conferences worldwide and her work has been published in multiple peer-reviewed journals.
