1st Edition

Exhibitions as Research Experimental Methods in Museums

Edited By Peter Bjerregaard Copyright 2020
210 Pages
by Routledge

210 Pages 52 Color Illustrations
by Routledge

210 Pages 52 Color Illustrations
by Routledge

Exhibitions as Research contends that museums would be more attractive to both researchers and audiences if we consider exhibitions as knowledge-in-the-making rather than platforms for disseminating already-established insights. Analysing the theoretical underpinnings and practical challenges of such an approach, the book questions whether it is possible to exhibit knowledge that is still in... Read more

Introduction: Exhibitions as research - Peter Bjerregaard



Part I Cross-disciplinary collaboration 



Chapter 1 Sketches for a methodology on exhibition research - Henrik Treimo



Chapter 2 Joining transdisciplinary forces to revive the past: Establishing a Viking Garden at the Natural History Museum, Oslo - Anneleen Kool and Axel Dalberg Poulsen



Chapter 3 Ethnography, exhibition practices and undiscipined encounters: The generative work of amulets in London - Nathalia Brichet and Frida Hastrup



Part II Sensing knowledge



Chapter 4 Exhibitions as philosophical carpentry: On object-oriented exhibitio- making - Adam Bencard



Chapter 5 Museum objects in the marketplace - Kari K. Aarrestad



Chapter 6 Exhibition-making as aesthetic enquiry - Peter Bjerregaard





Chapter 7 Object-spaces? Sensory engagements and museum experiments - Elizabeth Hallam





Part III Collaborating with audiences



Chapter 8 Exhibitions, engagement and provocation: From Future Animals to Guerilla Archaeology - Jacqui Mulville



Chapter 9 Developing and promoting research in a museum thirdspace: Breaking barriers where people walk - Ellen T. Bøe, Hege I. Hollund, Grete Lillehammer, Bente Ruud, Paula U. Sandvik



Chapter 10 Visitor dialogue and participation as knowledge generating practices in exhibition work: What can museum experts learn from it? - Guro Jørgensen



Chapter 11 How the exhibition became co-produced: Attunement and participatory ontologies for museums - Helen Graham

Biography

Peter Bjerregaard holds a PhD in anthropology and works as program manager at Danish Museum for Science and Technology. Until recently he was senior adviser of exhibitions at Museum of Cultural History, University of Oslo. His recent interest has been on exhibitions as a particular mode of research and in developing experimental approaches to exhibition-making that allow research to materialize in non-textual forms. He has been project leader and curator for a number of exhibitions, among them COLLAPSE – human being in an unpredictable world and Letting go. Together with Anders Emil Rasmussen and Tim Flohr Sørensen, he edited Materalities of Passing: Explorations in Transformation, Transition and Transience (2016).