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Cited References
Cited Routledge titles in Theatre Histories: An Introduction, organized according to chapter. Current edition isbns are given. For more information, please click on the title of each book.
Preface
Ong, Walter J. (1982) Orality and Literacy, London: Routledge
Pb: 0-415-28129-4
Senelick, Laurence (2000) The Changing Room: Sex, Drag and Theatre, London and New York: Routledge.
Hb: 0-415-10078-X
Pb: 0-415-15986-5
Shieffelin, Edward L. (1998) “Problematizing Performance,” in F. Hughes-Freeland (ed.) Ritual, Performance, Media, London and New York: Routledge.
Hb: 0-415-16337-4
Pb: 0-415-16338-2
Chapter One
Davies, Sioned (1995) “Mythology and the Oral Tradition: Wales,” in Miranda Green (ed.) (1995) The Celtic World, London: Routledge.
Pb: 0-415-14627-2
Green, Miranda J. (ed.) (1995) The Celtic World, London: Routledge Press.
Pb: 0-415-14627-2
Liebler, Naomi Conn (1995) Shakespeare’s Festive Tragedy: the Ritual Foundations of Genre, London: Routledge.
Hb: 0-415-08657-4
Pb: 0-415-13183-9
Mac Cana, Pronsias (1995) “Mythology and the Oral Tradition: Ireland,” in Miranda Green (ed.) (1995), The Celtic World, London: Routledge.
Pb: 0-415-14627-2
Ong, Walter J. (1988, 1 st edn 1982) Orality and Literacy, London: Routledge
Pb: 0-415-28129-4
Ross, Anne (1995) “Ritual and the Druids,” in The Celtic World, Miranda Green (ed.), London: Routledge.
Pb: 0-415-14627-2
Schechner, Richard (2002) Performance Studies: An Introduction, London: Routledge.
Hb: 0-415-37245-3
Pb: 0-415-37246-1
Schieffelin, Edward L. (1998) “Problematizing performance,” in Ritual, Performance, Media, Felicia Hughes-Freeland (ed.), London: Routledge.
Hb: 0-415-16337-4
Pb: 0-415-16338-2
Holledge, Julie and Joanne Tompkins (2002) Women’s Intercultural Performance , London and New York: Routledge.
Web edn: 0203136652
Chapter Two
Harris, John Wesley (1992) Medieval Theatre in Context, London: Routledge.
Pb: 0-415-06782-9
Chapter Three
Bennett, Susan (1990) Theatre Audiences: A Theory of Production and Reception, London: Routledge.
Hb: 0-415-15722-3
Pb: 0-415-15723-0
Fortier, Mark (1997). Theory/Theatre: An Introduction. London: Routledge.
web edn: 0203141052
Butler , Judith (1990) Gender Trouble: Feminism and the Subversion of Identity, London and New York: Routledge.
Pb: 0-415-924993
Diamond, Elin (1997) UnmakingMimesis, London and New York: Routledge.
Hb: 0-415-01228-7
Pb: 0-415-01229-4
Chapter Four
McCarthy, Gerry (2002) The Theatres of Molière, New York and London: Routledge.
Hb: 0-415-03349-7
Pb: 0-415-25947-9
Taussig, Michael (1993) Mimesis and Alterity: A Particular History of the Senses. London and New York: Routledge.
Pb: 0-415-90687-6
Jardine, Lisa (1992) "Twins and Travesties: Gender, Dependency, and Sexual Availability in Twelfth Night," in Susan Zimmerman (ed.), Erotic Politics: Desire on the RenaissanceStage, New York and London: Routledge.
Hb: 0-415-06646-8
Pb: 0-415-06647-6
Thomson, Peter (1992) Shakespeare's Theatre, London: Routledge.
Pb: 0-415-05148-7
Chapter Five
Zarrilli, Phillip B. (2000) Kathakali Dance-Drama: Where Gods and Demons Come to Play, New York and London: Routledge.
Hb: 0-415-13109-X
Pb: 0-415-19282-X
Zarrilli, Phillip B. (2000) Introduction to Kathakali Dance-Drama, Twenty-minute color videotape introducing Kathakali in context, London: Routledge, 2000.
Video: 0-415-227230
The Killing of Kirmira , 3 ½ hour document of complete performance in Kerala, India. London: Routledge, 2000.
Video: 0-415-227254
Chapter Seven
States, Bert O. (1995) “The Actor’s Presence: Three Phenomenal Modes,” in Acting (Re)Considered, Phillip B. Zarrilli (ed.), London: Routledge.
Hb: 0-415-26299-2
Pb: 0-415-26300-X
Chapter Eight
Hodge, Alison (ed.) (2000) Twentieth Century Actor Training, London: Routledge.
Hb: 0-415-19451-2
Pb: 0-415-19452-0
McMullan, Anna (1993) Theatre on Trial: Samuel Beckett’s Later Drama. New York: Routledge.
Web edn: 0203359228
Chapter Nine
Aston, Elaine and George Savona (1991) Theatre as Sign-System: A Semiotics of Text and Performance, London: Routledge.
Pb: 0-415-04932-6
Elam , Keir (1980) The Semiotics of Theatre and Drama, London: Routledge.
Hb: 0-415-28017-6
Pb: 0-415-28018-4
Chapter Ten
Erven, Eugene van (2001) Community Theatre Video: Global Perspectives, London: Routledge.
Video: 0-415-19033-9
Kershaw, Baz (1992) The Politics of Performance: Radical Theatre as CulturalIntervention, London: Routledge.
Pb: 0-415-05763-9
Crane, Diana, Nobuko Kawashima, and Ken’ichin Kawasaki (eds) Global Culture, Media, Arts, Policy and Globalization, New York and London: Routledge, 2002.
Pb: 0-415-93230-1
Chapter Eleven
Roach, Joseph (1996), “Kinship, Intelligence, and Memory as Improvisation: Culture and Performance in New Orleans,” in Performance and Cultural Politics, ed. Elin Diamond, London and New York: Routledge.
Hb: 0-415-12767-7
Pb: 0-415-12768-4
Belsey, Catherine (1980) Critical Practice, London and New York: Routledge
Pb: 0-415-28006-8
Bhabha, Homi (1994) The Location of Culture, New York and London: Routledge.
Pb: 0-415-33639-0
Pavis, Patrice (1992) Theatre at the Crossroads of Culture, trans. Loren Kruger, London and New York: Routledge.
Pb: 0-415-06038-9
Senda, Akihiko(1998) Entry on Japan, The World Encyclopedia of Contemporary Theatre, Vol 5: Asia/Pacific, London and New York: Routledge.
Hb: 0-415-05933-X
Tyson, Lois, Critical Theory Today, A User-Friendly Guide, New York and London: Garland Publishing, Inc., a member of the Taylor and Francis Group.
Hb: 0-415-97409-7
Pb: 0-415-97410-3
Chapter Twelve
Jaywant, Jasmine, Ranbir Singh, and Ravi Chaturvedi (1994) Entry for India, in World Encyclopedia of Contemporary Theatre, vol 5, Don Rubin (ed.), London, New York: Routledge.
Hb: 0-415-05933-X
Pavis, Patrice (1992) Theatre at the Crossroads of Culture, trans. Loren Krueger. London and New York: Routledge.
Pb: 0-415-06038-9
Schechner, Richard (2002), Performance Studies, an Introduction, London and New York: Routledge, Taylor and Francis Group.
Hb: 0-415-37245-3
Pb: 0-415-37246-1
Williams, David (ed.) (1999) Collaborative Theatre, the Thèâtre du Soleil Sourcebook, New York and London: Routledge.
Hb: 0-415-08605-1
Pb: 0-415-08606-X
Bharucha, Rustom (1993) Theatre and the World: Performance and the Politics of Culture , London and NY: Routledge. (1990. India: Manohar)
Web edn: 0203168172
Pavis, Patrice (1992) Theatre at the Crossroads of Culture , trans. Loren Kruger, London and NewYork: Routledge.
Pb: 0-415-06038-9
Shevtsova, Maria (1991) “Interaction-Interpretation: The Mahabharata from a Socio-Cultural Perspective,” in David Williams (ed.) Peter Brook and the Mahabharata:Critical Perspectives , London and New York: Routledge.
Hb: 0-415-04777-7
Pb: 0-415-04778-4
Williams, David (ed.) (1991) Peter Brook and the Mahabharata: Critical Perspectives, London and New York: Routledge.
Hb: 0-415-04777-7
Pb: 0-415-04778-4
MacCannell, Dean (1992) Empty Meeting Grounds: The Tourist Papers, London: Routledge.
Web edn: 0203412145
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