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Resources for Teachers, University Lecturers
and College Tutors
How To Use Stylistics
The Routledge English Language Introductions are ‘flexi-texts’
that you can use to suit your own style of teaching. All the books
in the series, including Stylistics, are divided into four
sections:-
A. Introduction: Key Concepts in Stylistics
The units of section A take you step-by-step through the foundational
terms and ideas, carefully providing you with an initial toolkit
for your own study and teaching. By the end of the section, you
will have a good overview of the whole field. The twelve numbered
Units in section A are compact and are ordered in a linear way,
so if you read progressively through the section you can assemble
a composite picture of the core issues in both stylistic theory
and practice.
B. Development: doing stylistics
This section builds on the key ideas already introduced and the
twelve Units it contains draw together several areas of interest.
In Stylistics, the units develop the topic introduced in
the equivalent numbered unit in section A. They are either illustrative
expansions of the model outlined in A or surveys of important research
developments in the relevant area of stylistics. By the end of this
section, students should already have a reasonably solid grasp of
the field.
C. Exploration: investigating style
This section offers practical exercises based around language and
style, and provides material for pedagogical investigation of the
field. The Units in this section are more open-ended and exploratory,
and students are encouraged to try out their own ideas using their
newly acquired knowledge. While some selective follow-up commentary
is offered, there is no sense in which ‘all the answers’
are provided.
D. Extension: readings in stylistics
Finally, section D offers your students the chance to compare their
expertise with selected key readings in the area. These are taken
from the work of well-known stylisticians, and are provided with
guidance and questions for further work.
The glossary/index at the end, together with the suggestions for
Further Reading at the end of each Unit in section B, will help
to keep each topic orientated.
The book can be used like a traditional text-book, read ‘vertically’
straight through from beginning to end. However, the Routledge English
Language Introductions have been carefully designed to be read in
another dimension, ‘horizontally’ across the numbered
Units. For example, Units A.1, A.2, A.3 and so on correspond with
Units B.1, B.2, B.3, and with Units C.1, C.2, C.3 and D.1, D.2,
D.3, and so on.
The book can be used as the primary text or as an accompanying
course text on modules in Stylistics and related areas of study.
The combination of authoritative textbook, open-ended workbook,
and reader means that it can be used where you might otherwise have
had to choose between two or three alternatives, or have your students
buy three expensive books. The flexi-text design allows you to use
the book as best suits your own practice.
The key terms and concepts introduced in sections A and B can be
set as lecture-support summaries, or as quick preparatory reading
in advance of lectures, enabling you to develop a specialist area
or detailed argument without having to prepare the elementary ground
yourself. Sections A and B are thus the raw material for structuring
your coverage of this part of the course. You can then use the material
in section C to provide you with classroom resources and seminar
material, allowing students to explore texts for themselves in a
focussed and directed way. The readings in section D can be used
as initial basic follow-up reading. Alternatively, you might want
to set these readings in advance of teaching, so that they form
the basis for seminar discussion. For each of the readings, there
are both general and specific suggestions for further study. Questions
here are open-ended, allowing you or your colleagues opportunity
for developing the discussion as you wish, and adding your own material
and particular interests. Finally, students can be referred to the
Further Reading listings, where up-to-date references and suggestions
will help them move on from this textbook to more advanced study.
The twelve numbered units of the book can be used as the foundation
of a compact module of twelve weeks. Alternatively, if required
for a longer module, each unit can be easily expanded by using both
the follow-up reading section and the suggestions for further work
provided in the D sections. The twelfth unit of the book, on style
and humour, is shorter than the rest, which frees up extra time
for course ‘housekeeping’, such as feedback on written
work, consultation on essay topics and the like.
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