| FS
1 Making Meaning (1) |
|
| FS1
micro approach (written Analysis 1) |
Ch
1: Interpreting Media Texts
Ch 2: Narratives
Ch 2: Case study: CSI: Miami and Crime Narratives
Ch 3: Genres and Other Classifications
Ch 3: Case study: J-Horror and the 'Ring Cycle' |
| FS1
micro approach (written Analysis 2) |
Ch
1: Interpreting Media Texts
Ch 1: Case study: Ways of Interpreting |
| FS1
macro approach (written Analysis 1) |
Ch
2: Narratives
Ch 2: Case study: J-Horror and the 'Ring Cycle' |
| FS1
(PAL Creative work) |
Ch
12: Production techniques |
| FS
2 Producers and Audiences |
|
| Cinema
Business |
Ch
4: Institutions
Ch 7: Independence’ and ‘Alternatives’ in
the Media Industries
Ch 13: Case study: Contemporary British Cinema
Ch 13: Distribution
Ch 13: Case study 1: Film Distribution in the UK |
| Audiences |
Ch
8: Audiences
Ch 9: Case study: Celebrity, Stardom and Marketing |
| FS
3 Messages and Values |
|
| British
and Irish Cinema |
Ch
4: Institutions
Ch 13: Case study: Contemporary British Cinema |
| Representation |
Ch
5: Questions of Representation |
| FS
4 Auteur Research |
Ch
10: Research
|
Practical
Application of Learning
Film/video making |
Ch
11: Production organisation
Ch 12: Production techniques |
| FS
5 World Cinema |
Ch
5: Questions of representation
Case study 1: Racial Stereotyping
Case study 2: Representations and Gender
Ch 15: Whose Globalisation? |
| Styles
and Movements |
Ch
1: Case study: Ways of interpreting |
| FS
6 Critical Studies |
|
| Genre |
Ch
3: Genres and other Classifications
Ch 3: Case study: J-Horror and the 'Ring Cycle' |
| Gendered
Film Studies |
Ch
6: Ideologies and Power
Ch 5: Questions of Representation
Ch 5: Case study 2: Representations and Gender |
| Independent
Film |
Ch
7: Industries
Ch 16: 'Free Choices' in a 'Free Market'
Ch 13: Distribution |
| Film
Interpretation and Social/Cultural Studies |
Ch
8: Audiences |
| Dominance
of Hollywood |
Ch
7: Case study: Major Players in the
Media Industries
Ch 15: Whose Globalisation? |
| Indigenous
production |
Ch
13: Case study: Contemporary British Cinema |
| Regulation |
Ch
16: 'Free Choices' in a 'Free Market' |
| Documentary |
Ch
14: Documentary and 'Reality TV'
Case study 1: Direct Cinema
Case study 2: Michael Moore FS6 |
