Many well-known male writers produced fictions about colonial spaces and discussed the advantages of realism over romance, and vice versa, in the ‘art of fiction’ debate of the 1880s; but how did female writers contribute to colonial fiction?
This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of ‘exoticism’, arguing that the epistemological dilemma of a ‘self’ encountering an ‘other’ results in the interrelated predicament to find poetic modalities – mimetic, realistic and documentary on the one hand; romantic, fantastic and picturesque on the other – that befit an ‘exotic’ representation. Thus women writers did not only participate in the making of colonial fictions but also in the late nineteenth-century artistic debate about the nature of fiction.
This book maps the epistemological concerns of exoticism and of difference – self and other, home and away, familiarity and strangeness – onto the representational modes of realism and romance. The author focuses exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic, and especially on neglected authors of academically under-researched genres such as the bestselling novel and the travelogue.
1. Exoticism as System: Difference and Representation 2. Beyond Orientalism: Exoticising Daniel Deronda3. Desire, Love and Mixed-Race Children: Plotting Anglo-Indian Popular Fiction 4. Women’s Orientalist Harem Paintings: Gender, Documentation and Imagination 5. Veiled Narratives, Double Identities: Women’s Travelogues about the Middle East 6. Picturesque Views of Cairo: Touring the Land, Framing the Foreign 7. Infelicities: Representing Hot Love in the Popular Women’s Desert Romance 8. Modernist Exoticism: The Voyage Out and In. Conclusion.