1st Edition

Aesthetic Collectives On the Nature of Collectivity in Cultural Performance

By Andrew Wiskowski Copyright 2022
    248 Pages 2 B/W Illustrations
    by Routledge

    248 Pages 2 B/W Illustrations
    by Routledge

    This book focuses attention on groups of performing people that are unique aesthetic objects, the focus of an artist’s vision, but at the same time a collective being; a singular, whole mass that exists and behaves like an individual entity.

    This text explores this unique experience, which is far from rare or special. Indeed, it is pervasive, ubiquitous and has, since the dawn of performance, been with us. Surveying installation art from Vanessa Beecroft & Kanye West, Greek tragedy, back-up dancing groups and even the mass dance of clubbing crowds, this text examines and names this phenomenon: Aesthetic Collectives. Drawing on a range of methods of investigation spanning performance studies, acting theory, studies of atmosphere and affect and sociology it presents an intervention in the literature for something that has long deserved its own attention.

    This book will be of great interest to scholars, students and practitioners in performance studies, theatre, live art, sociology (particularly of groups and subcultures), cultural studies and cultural geography.

    Acknowledgements

    Introduction — The Aesthetic Collective

    PART ONE

    Precis

    Chapter One: Proximity and Pragnanz — Space, Order, Touch

    Insides/Outsides, Proxemics and Containment

    Aesthetic Fields, Collective Domains

    Proximity and Prägnanz

    The Discharge

    Touch — Known, Unknown; Security, Threat

    Communitas and Affect Transmission

    Chapter Two: Similarity — Authority and Agency

    VB16, VB35, VB45, VB46, VB48

    Manipulating Agency and Authority

    Directions/Instructions — Explicit and Implied

    Chapter Three: Common Fate — Objective, Agency & Essence

    Choreography and Rhythm

    Dialogue

    Rôle/Character

    Agentic States

    PART TWO

    Precis

    Chapter Four: Character and Contagion

    Character as Roles and Dramatis Personae

    Essence and Essentialisation

    Characterisation, Characterising, Mood

    Contagion

    Chapter Five: Mood, Affect, Feeling, Emotion

    Mood-Making

    Affective Dimensions

    Mood Setting/Contagion

    Chapter Six — Encountering Atmospheres

    The Encounter

    Immersion

    Foam Structures — Atmospheres

    Conditioning

    Climate and Human Weather

    Conclusion

    Bibliography

    Appendix A

    Appendix B

    Appendix C

    Index

    Biography

    Dr. Andrew Wiskowski is a lecturer and artist in performance, having recently been in the faculty of Creative and Digital Industries at Lambeth College, London Southbank University.