AfroSurrealism: The African Diaspora's Surrealist Fiction, 1st Edition (Hardback) book cover

AfroSurrealism

The African Diaspora's Surrealist Fiction, 1st Edition

By Rochelle Spencer

Routledge

140 pages | 4 B/W Illus.

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Hardback: 9781138504059
pub: 2019-12-20
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Description

Examining the surrealist novels of several contemporary writers including Edwidge Danticat, Tananarive Due, Nalo Hopkinson, Junot Díaz, Helen Oyeyemi, and Colson Whitehead, AfroSurrealism, the first book-length exploration of AfroSurreal fiction, argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross-sections of science, technology, history, folklore, and myth. Building on traditional surrealist scholarship and black studies criticism, the author contends that as technology has become ubiquitous, the ways in which writers write has changed; writers are producing more surrealist texts to represent the psychological challenges that have arisen during an era of rapid social and technological transitions. For black writers, this has meant not only a return to Surrealism, but also a complete restructuring in the way that both past and present are conceived, as technology, rather than being a means for demeaning and brutalizing a black labor force, has become an empowering means of sharing information. Presenting analyses of contemporary AfroSurreal fiction, this volume examines the ways in which contemporary writers grapple with the psychology underlying this futuristic technology, presenting a cautiously optimistic view of the future, together with a hope for better understanding of the past. As such, it will appeal to scholars of cultural, media and literary studies with interests in the contemporary novel, Surrealism and black fiction.

Reviews

"Rochelle Spencer has written an engaging, thoughtful, and intellectual book, AfroSurrealism: The African Diaspora’s Surrealist Fiction. Her introduction provides an overview of a new movement in Surrealism, AfroSurrealism, which she describes along with other speculative fiction movements written by people of color. Further, she shows how these movements differ and offers specific strategies for resisting oppression… With grace, talent, and enthusiasm, Spencer has added a significant piece of work to the scholarship of literature for all." - Ethel Morgan Smith, Hollins University, USA

"In what must be considered a superb symphony of genealogy, cultural retrieval, and literary analysis, Rochelle Spencer’s Afro-Surrealism: The African Diaspora's Surrealist Fiction is a very an important contribution to the growing literature on ‘the insistent reordering of reality’ that derives from surrealism, and which, specifically as an aspect of Black writing, is a clarion call to both critique and revolution." - Ato Quayson, Stanford University, USA

Table of Contents

Introduction: AfroSurrealism: A New Black Surrealism

1. Mat Johnson’s Pym and Helen Oyeyemi’s boy snow bird: AfroSurrealism, Magical Realism, and the Psychology of Reimagining the Past

2. Edwidge Danticat’s Claire of the Sea Light, Chris Abani’s The Secret History of Las Vegas, and the AfroSurreal Grotesque

3. AfroSurreal and Afrofuturistic Cinematic Storytelling: Junot Díaz’s The Brief Wondrous Life of Oscar Wao and Colson Whitehead’s Zone One

4. The Postmodern Fables of Victor LaValle’s Big Machine and Summer Brenner’s Oakland Tales

5. Horror and Immortality in Tananarive Due’s Ghost Summer, Nalo Hopkinson’s Falling in Love with Hominids, and Rachel Eliza Griffiths’ Woman After Her Last Wound

Conclusion: Jeffery Renard Allen and Sustaining the Surreal Moment

Appendix

About the Author

Rochelle Spencer is co-editor of All About Skin: Short Fiction by Women of Color.

About the Series

The Cultural Politics of Media and Popular Culture

Dedicated to a renewed engagement with culture, this series fosters critical, contextual analyses and cross-disciplinary examinations of popular culture as a site of cultural politics. It welcomes theoretically grounded and critically engaged accounts of the politics of contemporary popular culture and the popular dimensions of cultural politics. Without being aligned to a specific theoretical or methodological approach, The Cultural Politics of Media and Popular Culture publishes monographs and edited collections that promote dialogues on central subjects, such as representation, identity, power, consumption, citizenship, desire and difference. Offering approachable and insightful analyses that complicate race, class, gender, sexuality, (dis)ability and nation across various sites of production and consumption, including film, television, music, advertising, sport, fashion, food, youth, subcultures and new media, The Cultural Politics of Media and Popular Culture welcomes work that explores the importance of text, context and subtext as these relate to the ways in which popular culture works alongside hegemony.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
SOC000000
SOCIAL SCIENCE / General
SOC026000
SOCIAL SCIENCE / Sociology / General