Research into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.
Table of Contents
Affective poetics: the cognitive basis of emotion in Old English poetry. The limited role of the brain in mental and emotional activity according to Anglo-Saxon medical learning. The curious case of TORN: the importance of lexical-semantic approaches to the study of emotions in Old English. 'So what did the Danes feel?' Emotion and litotes in Old English poetry. An embarrassment of clues: interpreting Anglo-Saxon blushes. Naming shame: translating emotion in the Old English psalter glosses. Learning about emotion from the Old English prose psalms of the Paris Psalter. Those bloody trees: the affectivity of Christ. Emotion and gesture in Hrothgar's Farewell to Beowulf. Ne Sorga: grief and revenge in Beowulf. Maxims I: In the 'mod' for life. The neurological and physiological effects of emotional duress on memory in two Old English elegies. Early medieval experiences of grief and separation through the eyes of Alcuin and others: the grief and gratitude of the oblate.
Alice Jorgensen is Assistant Professor of English to 1500 at Trinity College, Dublin.
Frances McCormack is lecturer in English at the National University of Ireland, Galway, and author of Chaucer and the Culture of Dissent: The Lollard Context and Subtext of the Parson’s Tale (2007).
Jonathan Wilcox is the John C. Gerber Professor and Chair of the English Department at the University of Iowa, USA, and editor of Scraped, Stroked and Bound: Materially Engaged Readings of Medieval Manuscripts (2013).
"Overall this is an immensely rich and rewarding collection that I recommend to all those interested in the growing field of Emotion Studies as well as those working more widely on Beowulf , the elegies, the Paris Psalter, wisdom literature, Anglo-Latin literature, and lexicographical approaches to Old English literature. I am certain that these chapters will inspire further studies in the field." - Jennifer Neville, Royal Holloway, University of London