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Ashgate Interdisciplinary Studies in Opera: Ashgate Interdisciplinary Studies in Opera


About the Series

The Ashgate Interdisciplinary Studies in Opera series provides a centralized and prominent forum for the presentation of cutting-edge scholarship that draws on numerous disciplinary approaches to a wide range of subjects associated with the creation, performance, and reception of opera (and related genres) in various historical and social contexts. There is great need for a broader approach to scholarship about opera. In recent years, the course of study has developed significantly, going beyond traditional musicological approaches to reflect new perspectives from literary criticism and comparative literature, cultural history, philosophy, art history, theatre history, gender studies, film studies, political science, philology, psycho-analysis, and medicine. The new brands of scholarship have allowed a more comprehensive interrogation of the complex nexus of means of artistic expression operative in opera, one that has meaningfully challenged prevalent historicist and formalist musical approaches. The Ashgate Interdisciplinary Studies in Opera series continues to move this important trend forward by including essay collections and monographs that reflect the ever-increasing interest in opera in non-musical contexts. Books in the series are linked by their emphasis on the study of a single genre - opera - yet are distinguished by their individualized and novel approaches by scholars from various disciplines/fields of inquiry. The remit of the series welcomes studies of seventeenth century to contemporary opera from all geographical locations, including non-Western topics.

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Contextualizing Melodrama in the Czech Lands: In Concert and on Stage

Contextualizing Melodrama in the Czech Lands: In Concert and on Stage

1st Edition

Forthcoming

Judith A. Mabary
October 15, 2020

The mention of the term melodrama is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type of...

The Operatic Archive: American Opera as History

The Operatic Archive: American Opera as History

1st Edition

Colleen Renihan
April 22, 2020

The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful...

Einstein on the Beach: Opera beyond Drama

Einstein on the Beach: Opera beyond Drama

1st Edition

Jelena . Novak, John Richardson
December 09, 2019

Philip Glass and Robert Wilson’s most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both...

The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome

The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome

1st Edition

Valeria De Lucca, Christine Jeanneret
September 19, 2019

Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of...

Puccini’s La fanciulla del West and American Musical Identity

Puccini’s La fanciulla del West and American Musical Identity

1st Edition

Kathryn M. Fenton
September 04, 2019

On 10 December 1910, Giacomo Puccini’s seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City’s Metropolitan Opera House. The performance was the Metropolitan Opera Company’s first world premiere by any composer. By all accounts, the premiere was an...

Performing Homer: The Voyage of Ulysses from Epic to Opera

Performing Homer: The Voyage of Ulysses from Epic to Opera

1st Edition

Wendy Heller, Eleonora Stoppino
June 25, 2019

The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid...

English Dramatick Opera, 1661–1706

English Dramatick Opera, 1661–1706

1st Edition

Andrew R. Walkling
April 05, 2019

English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth...

Morality and Viennese Opera in the Age of Mozart and Beethoven

Morality and Viennese Opera in the Age of Mozart and Beethoven

1st Edition

Martin Nedbal
February 07, 2019

This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about...

National Identity in Contemporary Australian Opera: Myths Reconsidered

National Identity in Contemporary Australian Opera: Myths Reconsidered

1st Edition

Michael Halliwell
February 07, 2019

Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire. It is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera....

Masque and Opera in England, 1656-1688

Masque and Opera in England, 1656-1688

1st Edition

Andrew R. Walkling
February 05, 2019

Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a...

Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe

Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe

1st Edition

Jens Hesselager
December 18, 2017

Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In...

Postopera: Reinventing the Voice-Body

Postopera: Reinventing the Voice-Body

1st Edition

Jelena Novak
July 27, 2017

Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of...

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