Since the beginning of the twentieth century, critics have predominantly offered a negative estimate of John Donne’s Metempsychosis. In contrast, this study of Metempsychosis re-evaluates the poem as one of the most vital and energetic of Donne’s canon. SiobhÃ¡n Collins appraises Metempsychosis for its extraordinary openness to and its inventive portrayal of conflict within identity. She situates this ludic verse as a text alert to and imbued with the Elizabethan fascination with the processes and properties of metamorphosis. Contesting the pervasive view that the poem is incomplete, this study illustrates how Metempsychosis is thematically linked with Donne’s other writings through its concern with the relationship between body and soul, and with temporality and transformation. Collins uses this genre-defying verse as a springboard to contribute significantly to our understanding of early modern concerns over the nature and borders of human identity, and the notion of selfhood as mutable and in process. Drawing on and contributing to recent scholarly work on the history of the body and on sexuality in the early modern period, Collins argues that Metempsychosis reveals the oft-violent processes of change involved in the author’s personal life and in the intellectual, religious and political environment of his time. She places the poem’s somatic representations of plants, beasts and humans within the context of early modern discourses: natural philosophy, medical, political and religious. Collins offers a far-reaching exploration of how Metempsychosis articulates philosophical inquiries that are central to early modern notions of self-identity and moral accountability, such as: the human capacity for autonomy; the place of the human in the ’great chain of being’; the relationship between cognition and embodiment, memory and selfhood; and the concept of wonder as a distinctly human phenomenon.
Table of Contents
Introduction: Riddles; Chapter 1 Body / Word: Textual Materiality; Chapter 2 Thresholds: “Porches and Entries”; Chapter 3 Separation: Genesis and the Fall; Chapter 4 Memory: Reading the Self; Chapter 5 Liminality: Plant / Human; Chapter 6 Devoured Bodies: Birds and Fishes; Chapter 7 Courting Politics: Vivarium of Beasts; conclusion Conclusion: Wonder;
SiobhÃ¡n Collins teaches English Literature at University College Cork, Ireland.
’A comprehensive and original reading of one of Donne's most overlooked poems- a real contribution to Donne studies.' Ramie Targoff, Brandeis University, USA 'Bodies, Politics and Transformations, is a significant contribution to Donne studies. In its wide reaching exploration of self-hood, embodiment and textuality, it will also be of interest to historians of early modern medicine, natural philosophy and the material history of the book.' Journal of the Northern Renaissance 'Erudite and illuminating, Collins’s Bodies, Politics and Transformations makes what I believe will prove a lasting contribution to Donne scholarship.' Renaissance Quarterly