Broken Mirrors: Representations of Apocalypses and Dystopias in Popular Culture, 1st Edition (Hardback) book cover

Broken Mirrors

Representations of Apocalypses and Dystopias in Popular Culture, 1st Edition

Edited by Joe Trotta, Filipovic Zlatan, Houman Sadri

Routledge

272 pages

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Hardback: 9780367235918
pub: 2019-11-27
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Description

Dystopian stories and visions of the Apocalypse are nothing new; however in recent years there has been a noticeable surge in the output of this type of theme in literature, art, comic books/graphic novels, video games, TV shows, etc. The reasons for this are not exactly clear; it may partly be as a result of post 9/11 anxieties, the increasing incidence of extreme weather and/or environmental anomalies, chaotic fluctuations in the economy and the uncertain and shifting political landscape in the west in general. Investigating this highly topical and pervasive theme from interdisciplinary perspectives this volume presents various angles on the main topic through critical analyses of selected works of fiction, film, TV shows, video games and more.

Table of Contents

Introduction: Welcome to the Beginning of the End of Everything

Joe Trotta and Houman Sadri

Chapter 1: A Light that Never Goes Out: Bare Life and the Possibility of Ethics in McCarthy’s The Road

Zlatan Filipovic

Chapter 2: Hopeful Dystopias? Figures of Hope in the Brazilian Science Fiction Series 3%

Michael Godhe

Chapter 3: Hopeful Hybridities: Transformative Interspecies Relationships in Dystopian and Post-Apocalyptic Visual Narratives

Ariel Khan

Chapter 4: Dystopia and Utopia After Darwin: Using Evolution to Explain Edward Bulwer Lytton’s The Coming Race

Emelie Jonsson

Chapter 5: Is this the Futu.re?: Russian Cosmism and the Construction of an Immor(t)al Utopia

Iril Hove Ullestad

Chapter 6: The Mexican Sicario Against the End of the World

Gabriela Mercado

Chapter 7: Post-apocalyptic Play: Representations of the End of the City in Video Games

Emma Fraser

Chapter 8: The Future in Ruins: The Uses of Derelict Buildings and Monuments in Post-Apocalyptic Film and Literature

Jerry Määttä

Chapter 9: The Zombie as a Pronoun: What Pronouns are Used and Why?

Linda Flores Ohlson

Chapter 10: What can a corpus tell us about Apocalyptic/Dystopian Texts

Joe Trotta

Chapter 11: Original Sin as Salvation: The Apocalyptic Boon in Philip Pullman’s His Dark Materials

Houman Sadri

About the Editors

Joe Trotta is Associate Professor of English Linguistics at the Department of Languages and Literatures, University of Gothenburg, Sweden. Joe’s research has shifted from traditional linguistics to focusing nearly exclusively on the use of English in popular media. He is the founder and chair of the [GotPop] Research Group and the co-host of the GotPop Popular Culture Podcast.

Dr. Zlatan Filipovic is Associate Professor in English and Comparative Literature at the Department of Languages and Literatures, University of Gothenburg, Sweden. He has a PhD in English and Comparative Literature from Goldsmiths, University of London and has published extensively on deconstruction and affect in literary writing.

Houman Sadri is a PhD candidate and teacher of English Literature, at the Department of Languages and Literatures, University of Gothenburg, Sweden. He is the co-host of the GotPop Popular Culture Podcast.

About the Series

Routledge Interdisciplinary Perspectives on Literature

This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Taking an interdisciplinary approach to literary studies, it engages with topics such as philosophy, science, race, gender, film, music, and ecology. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
LIT000000
LITERARY CRITICISM / General
LIT004260
LITERARY CRITICISM / Science Fiction & Fantasy
LIT021000
LITERARY CRITICISM / Horror & Supernatural
SOC022000
SOCIAL SCIENCE / Popular Culture