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George Eliot and Schiller
Intertextuality and Cross-Cultural Discourse




ISBN 9781138724242
Published November 1, 2017 by Routledge
200 Pages

 
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Book Description

This title was first published in 2003. Though Friedrich Schiller enjoyed prominent literary standing and great popularity in nineteenth century literary England, his influence has been largely neglected in recent scholarship on the period. With George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse, Deborah Guth explores the substantial evidence of the importance of the playwright and philosopher's thought to Eliot's novelistic art. Guth demonstrates the relationship of Schiller's work to Eliot's plotting of moral vision, the tensions in her work between realism and idealism (which an understanding of Schiller redefines substantially), and her aesthetics. The specific focus of the study is the Schillerian subtext of George Eliot's work and a resultant reassessment of her realism. However, the intertextual methodology, applications of Iser's thinking on the translatability of cultures, and a placement of Eliot in a German context serve as a gateway for reconsidering Eliot's contributions in these areas, as well. While recent scholarship on Eliot has focused on gender analysis, New Historicism and cultural materialism, the frame remains largely English. Guth contends that the immense continental underpinnings of Eliot's writing should lead us to re-situate her beyond national boundaries, and view her as a major European, as well as English, writer.

Table of Contents

Contents: Intertextuality and cross-cultural discourse; 'Our divine Schiller': contexts; The heroism of the common man: Adam Bede and Schiller's Wilhelm Tell; Passionate morality and The Mill on the Floss; The idealist and the realist: Romola; Narrative ambivalence in Middlemarch and Felix Holt, the Radical; The aesthetics of sympathy; Bibliography; Schiller's works; Index.

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Reviews

'... reading Eliot through Schiller with the help of this study will prove a welcome antidote to seeing her work purely in the English context.' Journal of European Studies