1st Edition

Gothic Peregrinations The Unexplored and Re-explored Territories

    282 Pages
    by Routledge

    282 Pages
    by Routledge

    For over two hundred years, the Gothic has remained fixed in the European and American imaginations, steadily securing its position as a global cultural mode in recent decades. The globalization of Gothic studies has resulted in the proliferation of new critical concepts and a growing academic interest in the genre. Yet, despite its longevity, unprecedented expansion, and accusations of prescriptiveness, the Gothic remains elusive and without a straightforward definition. Gothic Peregrinations: The Unexplored and Re-explored Territories looks at Gothic productions largely marginalized in the studies of the genre, including the European absorption of and response to the Gothic. This collection of essays identifies landmarks and ley lines in the insufficiently probed territories of Gothic scholarship and sets out to explore its unmapped regions.



    This volume not only examines Gothic peregrinations from a geographical perspective but also investigates how the genre has been at odds with strict demarcation of generic boundaries. Analyzing texts which come from outside the Gothic canon, yet prove to be deeply indebted to it, like bereavement memoirs, stories produced by and about factory girls of Massachusetts, and the Mattel Monster High franchise, this volume illuminates the previously unexplored fields in Gothic studies. The chapters in this volume reveal the truly transnational expansion of the Gothic and the importance of exchange – exchange now seen not only as crucial to the genre’s gestation, or vital to the processes of globalization, but also to legitimizing Gothic studies in the global world.

    List of Contents





     



    I. The Gothic Mystique:



    Matriarchy, Patriarchy, and the (Fe)Male Condition









    1. Agnieszka Łowczanin




    2. "A Romance Fit for the Taste of our Era": Anna Mostowska and the first Polish Gothic stories.







    3. Adriana Raducanu




    4. Under the Sign of Gothic: The Goddess Kālī from Mahābhārata to Marguerite Yourcenar’s “Kali Beheaded”







    5. Dorota Filipczak




    6. The Gothic Excess in "The Albanian Virgin" by Alice Munro Read Against The Broken April by Ismail Kadare







    7. Marta Goszczyńska




    8. "A Play of Fear and Laughter": Gothic Excesses in A.S. Byatt’s Possession





       



      II. Look Now: Gothic in Film





    9. Dorota Babilas




    10. Monstrosity and Suffering in the Roles of Lon Chaney







    11. Raluca Andreescu




    12. A Portrait of the Artist as a Vampire in Jim Jarmusch’s Only Lovers Left Alive





       



      III. Little Ones Love to Be Afraid





    13. Sandra Mills




    14. Grotesque Creations: Brutality, Terror and the Puppet Pinocchio







    15. Aleskandra Mochocka




    16. Gothic, Commodities, and Culture: the Monster High Franchise and the Processes of Incorporation and Excorporation





      IV. Gothic Spaces







    17. Krzysztof Majer




    18. Disturbing "the sleep of substance": Nabokov’s and Millhauser’s Haunted Museums







    19. Bridget Marshall




    20. Fright Factories: Nineteenth-Century Industrial Gothic







    21. Joanna Kokot




    22. A Criminal Intrigue in a Gothic Scenery: Castle Skull by John Dickson Carr





       



      V. Gothic Monstrosities





    23. Stephen Oravec




    24. Monstrous Educators: The Wendol of Michael Crichton’s Eaters of the Dead





    25. Zofia Kolbuszewska




    26. H. P. Lovecraft, Horrific Creation, and Post-humanism





       



      VI. Transgressing Boundaries and Crossing Borders







    27. Eva Čoupková




    28. Gothic Elements in the Novel Valérie a týden divů by Vítězslav Nezval







    29. Krzysztof Kosecki




    30. Life, Politics, Science, and Art: Poe’s "Raven" and Its Re-interpretations by Sastre, Witkiewicz, and Pleijel







    31. Katarzyna Małecka




    Stranger than Fiction: Gothic Themes in Bereavement Memoirs of Spousal Loss

    Biography

    Agnieszka Łowczanin is Assistant Professor in the Department of British Literature and Culture at the University of Łódź, Poland, where she teaches courses on British literature, culture and history.. Her main areas of academic interest are the diversities and paradoxes of the eighteenth century and the potentialities of Gothic aesthetics in literature and film. She coedited a volume of critical essays, All that Gothic (2014), and published numerous articles on various aspects of the Gothic. Her monograph A Dark Tranfusion: The Polish Literary Response to Early English Gothic is going to be published in 2018.



    Katarzyna Małecka is Assistant Professor and Chair of the English Department at the University of Social Sciences, Łódź, Poland, where she teaches courses on American literature and culture. Her main areas of research are death and grief in American poetry and life writing. She is the author of Death in the Works of Galway Kinnell (Cambria Press, 2008) as well as of numerous articles on death and grief in literature and culture. She has been awarded the Fulbright Senior Award Scholarship for the 2017/2018 academic year to work on a research project at the University of Memphis, Tennessee, focusing on the use of modern bereavement memoirs in grief therapy. Currently, she is working on a book analyzing the social, cultural, and therapeutic characteristics and applications of modern bereavement memoirs.