Henry V and the Earliest English Carols: 1413–1440
As a distinctive and attractive musical repertory, the hundred-odd English carols of the fifteenth century have always had a ready audience. But some of the key viewpoints about them date back to the late 1920s, when Richard L. Greene first defined the poetic form; and little has been published about them since the burst of activity around 1950, when a new manuscript was found and when John Stevens published his still definitive edition of all the music, both giving rise to substantial publications by major scholars in both music and literature. This book offers a new survey of the repertory with a firmer focus on the form and its history. Fresh examination of the manuscripts and of the styles of the music they contain leads to new proposals about their dates, origins and purposes. Placing them in the context of the massive growth of scholarly research on other fifteenth-century music over the past fifty years gives rise to several fresh angles on the music.
1. ‘Straightforward songs’ 2. The musical repertory 3. Definitions and terminology: carol; burden; refrain; chorus 4. The musical form and the virelai forms in general 5. Burdens and double burdens 6. Fauxbourdon 7. Metre and rhythm 8. The main poetry sources 9. The earliest English poems in carol form 10. Monophony for the carol 11. Add. MS 5666 12. Awareness of the carol, 1: 1600–1890 13. Composers 14. Social context, 1: The royal court and political propaganda 15. Social context, 2: Orality and the polyphonic carol 16. Social context, 3: The notion of communal song 17. Awareness of the carol, 2: 1891–1901 18. The date and origin of Ritson 19. The date and origin of Egerton 20. The date and origin of Trinity 21. The date and origin of Selden 22. Chronology 23. The later carols 24. Binchois, Dufay and the contenance angloise 25. Awareness of the carol, 3: 1902–2017 26. ‘Blessid Inglond ful of melody’