History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the third edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events.
This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new introduction, a revised final chapter, a new epilogue that discusses recent history films such as Selma and The Imitation Game, and an extensive and updated guide to further reading.
Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film.
"Robert Rosenstone’s History on Film/Film on History in its third edition remains one of the few concise and comprehensible academic texts for use on the university level in courses that have history on film content. Rosenstone has been and continues to be a critical definer of this key interdisciplinary arena. As an introduction to history on film/film on history, this text remains essentially relevant and inimitably accessible."
Erin O'Donnell, East Stroudsburg University-Pennsylvania, USA
"This is best book on film insofar as it makes historians re-evaluate the validity of history on film… It is accessible and it is intelligent."
Melinda Zook, Purdue University, USA
List of illustrations
Preface to the series
Introduction to the third edition
Introduction to the second edition
Chapter 1 History on film
Chapter 2 To see the past
Chapter 3 Mainstream drama
Chapter 4 Innovative drama
Chapter 5 Documentary
Chapter 6 Telling lives
Chapter 7 Film-maker/Historian
Chapter 8 Engaging the discourse
Chapter 9 Film on history
Epilogue The View from 2017
Guide to key reading