Identity, Otherness and Empire in Shakespeare's Rome: 1st Edition (Hardback) book cover

Identity, Otherness and Empire in Shakespeare's Rome

1st Edition

Edited by Maria Del Sapio Garbero


246 pages

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Contributors to this collection delve into the relationship between Rome and Shakespeare. They view the presence of Rome in Shakespeare's plays not simply as an unquestioned model of imperial culture, or a routine chapter in the history of literary influence, but rather as the problematic link with a distant and foreign ancestry which is both revered and ravaged in its translation into the terms of the Bard's own cultural moment. During a time when England was engaged in constructing a rhetoric of imperial nationhood, the contributors demonstrate that Englishmen used Roman history and the classical heritage to mediate a complex range of issues, from notions of cultural identity and gender to the representation of systems of exchange with Otherness in the expanding ethnic space of the nation. This volume addresses matters of concern not only for Shakespeare scholars but also for students interested in issues connected with gender, postcolonialism and globalization. Drawing implicitly or explicitly on recent criticism (intertextual studies, postcolonial theory, Derrida's conceptualization of hospitality, gender studies, global studies) the essayists explore how the Roman Shakespeare of an emerging early modern empire asks questions of our present as well as of our past.


’This collection should prove valuable to a variety of critics, including those focusing on the traditional Roman plays, but also to those looking for connections between Shakespeare’s Rome and the worlds of the tragedies and romances.’ Sixteenth Century Journal

Table of Contents

Contents: Introduction: performing 'Rome' from the periphery, Maria Del Sapio Garbero; Part I What Is It To Be a Roman?: Shakespeare's Romulus and Remus: who does the wolf love?, Janet Adelman; Acting the Roman: Coriolanus, Manfred Pfister; Antony's ring: remediating ancient rhetoric on the Elizabethan stage, Maddalena Pennacchia; Other from the body: sartorial metatheatre in Shakespeare's Cymbeline, Paola Colaiacomo; 'I am more an antique Roman than a Dane': suicide, masculinity, and national identity in Hamlet, Drew Daniel; Interchapter: Fostering the question' who plays the host?', Maria Del Sapio Garbero. Part II The Theatre of the Empire: Antony and Cleopatra and the overflowing of the Roman measure, Gilberto Sacerdoti; Romans versus Barbarians: speaking the language of the empire in Titus Andronicus, Barbara Antonucci; In dialogue with the new: theorizations on the New World in Titus Andronicus, Gilberta Golinelli; Shakespeare's tales of 2 cities: London and Rome, Carlo Pagetti; Shakespeare's writing of Rome in Cymbeline, Laura Di Michele; Shakespeare's Rome in Rome's wooden 'O', Nancy Isenberg; Coda: 'They that have power': the ethics of the Roman plays, Giorgio Melchiori; Select bibliography; Index.

About the Editor

Maria Del Sapio Garbero is Professor of English Literature at the Università Roma Tre, Italy. She is the author of Il bene ritrovato. Le figlie di Shakespeare dal King Lear ai romances (2005) and the editor of La traduzione di Amleto nella cultura europea (2002).

About the Series

Anglo-Italian Renaissance Studies

Anglo-Italian Renaissance Studies
This series places early modern English drama within the context of the European Renaissance and, more specifically, within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of both classical and contemporary culture. Among the various forms of influence, the series considers early modern Italian novellas, theatre, and discourses as direct or indirect sources, analogues and paralogues for the construction of Shakespeare's drama, particularly in the comedies, romances, and other Italianate plays. Critical analysis focusing on other cultural transactions, such as travel and courtesy books, the arts, fencing, dancing, and fashion, will also be encompassed within the scope of the series. Special attention is paid to the manner in which early modern English dramatists adapted Italian materials to suit their theatrical agendas, creating new forms, and stretching the Renaissance practice of contaminatio to achieve, even if unconsciously, a process of rewriting, remaking, and refashioning of 'alien' cultures. The series welcomes both single-author studies and collections of essays and invites proposals that take into account the transition of cultures between the two countries as a bilateral process, paying attention also to the penetration of early modern English culture into the Italian world.

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