Instruments of Embodiment : Costuming in Contemporary Dance book cover
1st Edition

Instruments of Embodiment
Costuming in Contemporary Dance

  • Available for pre-order. Item will ship after December 16, 2022
ISBN 9780367644819
December 16, 2022 Forthcoming by Routledge
208 Pages 8 B/W Illustrations

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USD $160.00

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Book Description

Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance.

It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with costume designers, and engaging in practice-as-research. Topics discussed include the historical evolution of contemporary dance costuming, Merce Cunningham’s innovative collaborations with Robert Rauschenberg, and costumes used in Ohad Naharin’s Virus (2001) and in a ground-breaking Butoh solo by Tatsumi Hijikata. The relationship between dance costuming and high fashion, wearable computing, and the role costume plays in dance reconstruction are also discussed and, along the way, an anarchist materialism is articulated which takes an egalitarian view of artistic collaboration and holds that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body.

This study will be of great interest to students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory.

Table of Contents


List of Illustrations

Chapter 1: Introduction

Chapter 2: The Media of Touch

Chapter 3: Anarchist Experiments

Chapter 4: Your First Costume

Chapter 5: Modern Designs and Modern Networks

Chapter 6: Dancers in High Fashion

Chapter 7: Digital Costuming

Chapter 8: Stepping into the Past


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Eric Mullins is Associate Professor of Philosophy at Queens University of Charlotte, USA.