This is the first modern scholarly edition of the letters and memoirs of Joseph Severn, English painter and deathbed companion of John Keats. It includes letters from a remarkable collection of never-before-published correspondence held by descendants of the Severn family. Scott's unprecedented access to hundreds of new letters has resulted in a major revisionist work that challenges traditional ideas about Severn's life and character. The edition includes new information about Severn's early artistic success in Italy, an extraordinarily thorough record of his day-to-day activities as a working artist in England, and surprising details about his experience as British Consul in Rome. The volume represents a significant work of recovery, printing in full three important memoirs that have until now appeared only in inaccurate excerpts and offering thirty-three illustrations that demonstrate the range of Severn's talents as a painter. Scott makes a compelling case for a revaluation of Severn, whose friends also included Charles Eastlake, William Gladstone, Leigh Hunt, John Ruskin, and Mary Shelley. This collection will prove valuable not only to literary biographers and Keats scholars, but also to art and cultural historians of the Romantic and Victorian eras. Adding significantly to the volume's usefulness are a detailed chronology of Severn's life and artwork, and appendices containing an index of the newly discovered letters and a ledger of Severn's patrons, paintings and commissions.
'Everyone who loves John Keats has a soft spot for Joseph Severn. Grant F Scott has […] found hundreds of "new" letters, rescued a long and largely unknown memoir from obscurity, re-edited everything, and surrounded it with a briskly written critical commentary. It's an important job, and difficult to see how anyone could have done it better.' Andrew Motion, The Guardian '…excellent new collection of Severn's letter and memoirs… Professor Scott has produced a work of genuine scholarship with an introduction which is both informative and extremely readable.' Juliet Townsend, The Spectator 'This is a book I’ve been waiting half a century for-a fresh investigation of Keats’s friend Severn by way of his mostly manuscript letters, his unpublished memoirs, and new information about his paintings. Grant Scott has done a major piece of research of the sort that few scholars these days know how to do. His book is a most valuable contribution to the biographical, literary, and cultural understanding of some extremely important nineteenth-century British writers and artists.' Jack Stillinger, Center for Advanced Study, Professor of English, University of Illinois at Urbana-Champaign '… a fine, welcome book that is a treasure-trove of revelatory and provocative information on a neglected artist and lost cultural period situated between Romanticism and Victorianism. Severn emerges not only as an important artist deserving new attention in his own right, but as a significant conduit figure in the aesthetic passage between Keats and the Pre-Raphaelites. Grant Scott's act of recovery here is to be commended for being at once scholarly, engaging, suggestive of future work, and entertaining.' Hermione de Almeida, Pauline Walter Professor of English and Comparative Literature,The University of Tulsa 'This is a wonderful scholarly enterprise that will be invaluable to students of Keats and his circle.' Duncan Wu, Professor of English Language and Literature, St. C
Contents: Preface; Introduction; Chronology of Severn's life; Undated sketchbooks, paintings and compositions; Selected letters 1820-1879 (chronologically arranged); Selected memoirs; Appendices; Index.
The Nineteenth Century Series aims to develop and promote new approaches and fresh directions in scholarship and criticism on nineteenth-century literature and culture. The series encourages work which erodes the traditional boundary between Romantic and Victorian studies and welcomes interdisciplinary approaches to the literary, religious, scientific and visual cultures of the period. While British literature and culture are the core subject matter of monographs and collections in the series, the editors encourage proposals which explore the wider, international contexts of nineteenth-century literature – transatlantic, European and global. Print culture, including studies in the newspaper and periodical press, book history, life writing and gender studies are particular strengths of this established series as are high quality single author studies. The series also embraces research in the field of digital humanities. The editors invite proposals from both younger and established scholars in all areas of nineteenth-century literary studies.