First coming to prominence as an actress and scandalous celebrity, Mary Robinson created an identity for herself as a Romantic poet and novelist in the 1790s. Through a series of literary dialogues with established writers, Robinson put herself at the center of Romantic literary culture as observer, participant, and creator. Cross argues that Robinson’s dialogues shaped the nature of Romantic writing both in content and form and influenced second-generation Romantics. These dialogues further establish the idea of Romantic discourse as essentially interactive and conversational, not the work of original geniuses working in isolation, and positions Robinson as a central player in its genesis.
Introduction: Robinson’s Dialogues: From Della Cruscan to Romantic Part 1: Romantic Robinson: Poetic Dialogues 1. Harping on Lyrical Exchange: Coleridge and Robinson 2. Illegitimate Influences: Robinson, Charlotte Smith and the Romantic Sonnet 3. Romantic Authorship and the Morning Post Aesthetic: Robert Southey 4. From Lyrical Ballads to Lyrical Tales: Wordsworth, Reputation and Romantic GeniusPart 2: Radical Robinson: Dialogic Fictions 5. Dangerous Dialogues and Queer Panic: Walsingham and Caleb Williams 6. Vindicating the Writing Woman: Robinson’s Response to Wollstonecraft Part 3: Posthumous Robinson: Early Nineteenth-Century Responses 7. Resurrecting Robinson: Charlotte Dacre’s Hours of Solitude 8. "Sick of the same bruise": John Keats, Robinson and the Forlorn Body of Sensibility