Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martin Algre shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.
"This is a new and provocative rethinking of masculinity. In a bold and imaginative thesis, Martín argues that the villain is a function of patriarchy’s systems of masculine entitlement, and their ‘evil’ is a form of rage against those who threaten it. With a range of stimulating readings in British fiction, this is a fascinating, original and highly readable study in ‘anti-patriarchy studies’."
--Dr Brian Baker, Senior Lecturer in English and Creative Writing, Lancaster University
"Sara Martín has written an enthralling and ground-breaking account of the long-forgotten literary figure of the villain from a contemporary perspective. Taking the paradigm of Hitler as a point of departure, she explores characters as wicked as they are obscurely fascinating, ranging from Big Brother to Voldemort. And in so doing she articulates and unveils the ambiguous mechanisms of our own psyche. This is enjoyable and profound scholarship at its best."
--Dr. Antonio Ballesteros-González, Professor of English Literature, UNED (Spain)
"In her new book, Martín makes a powerful and convincing case for the importance of villainy to Masculinity Studies. Written with great verve and real critical purpose, this wonderfully provocative piece of anti-patriarchal literary scholarship is a timely and valuable addition to the field." ?
--Dr Xavier Aldana Reyes, Reader in English Literature and Film, Manchester Metropolitan University
Introduction. Who’s Bad?: Capturing the Patriarchal Villain.
Chapter 1. The Threat of Absolute Evil: Attempting to Make Sense of Hitler
Chapter 2. Masteminding Villainy behind the Scenes: Dictatorial Systems
Chapter 3. The Villain as Angry Young Man: Plotting a Way to the Top
Chapter 4. Cold War Villainy in Spy Fiction: The Arch-Villain
Chapter 5. The Political Villain: Scheming to Stay in Power
Chapter 6. Organized Crime and the Villain: The Gangster and His Enemies
Chapter 7. The Villain as Corporate Lackey and the Corporation as Villain
Chapter 8. To Scare Children With…: The Villain and the Limits of Dark Magic
This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Taking an interdisciplinary approach to literary studies, it engages with topics such as philosophy, science, race, gender, film, music, and ecology. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.