Offering provocative readings of Tennyson's Idylls of the King, Barrett Browning's Aurora Leigh, Clough's Amours de Voyage, and Browning's The Ring and the Book, Clinton Machann brings to bear the ideas and methods of literary Darwinism to shed light on the central issue of masculinity in the Victorian epic. This critical approach enables Machann to take advantage of important research in evolutionary psychology, cognitive science, anthropology, among other scientific fields, and to bring the concept of human nature into his discussions of the poems. The importance of the Victorian long poem as a literary genre is reviewed in the introduction, followed by transformative close readings of the poems that engage with questions of gender, particularly representations of masculinity and the prevalence of male violence. Machann contextualizes his reading within the poets' views on social, philosophical, and religious issues, arguing that the impulses, drives, and tendencies of human nature, as well as the historical and cultural context, influenced the writing and thus must inform the interpretation of the Victorian epic.
Table of Contents
Contents: Introduction; Tennyson's Arthur and manly codes of behavior; Barret Browning's construction of masculinity in Aurora Leigh; Clough's ambivalent Victorian manhood; Browning's chivalrous Christianity; Conclusion; Bibliography; Index.
Clinton Machann is professor of English at Texas A&M University, USA
'Clint Machann's book is a work of mature scholarship and fresh vision. Machann combines an informed understanding of human universals with historicist insights into the culturally conditioned construction of sexual identities. As perhaps the first critic of Victorian poetry to have assimilated contemporary evolutionary psychology, Machann offers something genuinely new to his field. After reading Machann, we understand these poems better. That surely is one of the chief aims of all literary scholarship.' Joseph Carroll, University of Missouri, St. Louis, USA '... thoughtfully reckons with the accusations levelled at literary Darwinism. In reviving interest in the cohesive impulses of Victorian poetry, and in the study of what is "essential" about us rather than culturally-constructed, this book makes an important contribution to Victorian literary studies.' nbol-19