Michael Costa: England's First Conductor: The Revolution in Musical Performance in England, 1830-1880, 1st Edition (Hardback) book cover

Michael Costa: England's First Conductor

The Revolution in Musical Performance in England, 1830-1880, 1st Edition

By John Goulden


244 pages

Look Inside
Purchasing Options:$ = USD
Hardback: 9781472427175
pub: 2016-03-18
SAVE ~$25.00
eBook (VitalSource) : 9781315595146
pub: 2016-04-22
from $28.98

FREE Standard Shipping!


Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world.


'This is a learned survey of how the conductor gained importance and control, and uses Costa as an example. It dissects his relationships with concert-giving organisations throughout the country'

- Christopher Morley, Birmingham Post

"This is an important and timely book."

Table of Contents

Costa's background and personality. Conducting prior to 1830. Costa's system. Costa as a conductor. Opera. Concerts, oratorios and festivals. Costa's reputation and legacy. Reassessment.

About the Author

Sir John Goulden retired in 2000 from a distinguished career in the British Diplomatic Service, during which he served as Ambassador to Turkey and Permanent Representative to Nato (1995-2000). On retirement he began to pursue his interest in the revolution in musical performance during the early nineteenth century and the role in this of the conductor and composer Michael Costa. He was awarded a PhD in musicology in 2012.

About the Series

Music in Nineteenth-Century Britain

Music in Nineteenth-Century Britain

So much of our ‘common’ knowledge of music in nineteenth-century Britain is bound up with received ideas. This series disputes their validity through research critically reassessing our perceptions of the period. Volumes in the series cover wide-ranging areas such as composers and composition; conductors, management and entrepreneurship; performers and performing; music criticism and the press; concert venues and promoters; church music and music theology; repertoire, genre, analysis and theory; instruments and technology; music education and pedagogy; publishing, printing and book selling; reception, historiography and biography; women and music; masculinity and music; gender and sexuality; domestic music-making; empire, orientalism and exoticism; and music in literature, poetry, theatre and dance.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
MUSIC / General
MUSIC / History & Criticism