1st Edition

Opera, Emotion, and the Antipodes Volume II
Applied Perspectives: Compositions and Performances




ISBN 9780367476977
Published December 31, 2020 by Routledge
262 Pages 17 B/W Illustrations

USD $160.00

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Book Description

There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

Table of Contents

 

Part 1 Australian Composers and their Operas

Chapter 1: From European Romantic to "Wild Colonial Boy"? John Antill and Post-Colonial Australian Opera

David Symons

Chapter 2 The Voice of Emotion in Contemporary Australian Opera

Michael Halliwell

Chapter 3: Translating Page to Stage: Creating Emotionally Engaging Opera for Children

Emma Jayakumar

Chapter 4: Speechless: An Operatic Response to Human Rights Abuse in Twenty-first-century Australia

Joel Crotty and Cat Hope

Chapter 5: The Divorce: A Soap Opera

Helen Rusak

Part 2 Antipodean Performance and Practice

Chapter 6: From Patriotism to Alterity: Charting the Australian experience of Purcell’s Dido and Aeneas

Jane W. Davidson and Stephanie Rocke

Chapter 7: "Lamento d’Arianna": A Transhistorical Study of Staged Emotions and Affective Audience Responses

Daniela Kaleva

Chapter 8: Assembling Voyage to the Moon: Emotion, Creativity and Historicity in a New Australian Opera

Joseph Browning and Jane W Davidson

Chapter 9: Emotion as Multiple: Rehearsing Voyage to the Moon

Joseph Browning

Part 3 Collection Conclusions

Chapter 10: Antipodean Classification, the Emotions of Othering and Multiculturalism

Stephanie Rocke

Chapter 11: What have we learnt about Emotions?

Jane W. Davidson, Michael Halliwell and Stephanie Rocke

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Editor(s)

Biography

Jane W. Davidson has performed in and directed opera for more than 30 years. She is currently Head of Performing Arts at the University of Melbourne’s Conservatorium of Music. She has published widely, across the field of music psychology, musicology and practice as research. She is president of the Australian Music and Psychology Society.

Michael Halliwell has enjoyed a career as an opera singer in Europe and as an academic at the University of Sydney Conservatorium of Music. He has published widely and is president of the International Association for Word and Music Studies.

Stephanie Rocke is a Research Fellow at the University of Melbourne affiliated with the ARC Centre of Excellence for the History of Emotions, with wide-ranging interests and publications in music and culture across time.