Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic, 1st Edition (Paperback) book cover

Performing Interdisciplinarity

Working Across Disciplinary Boundaries Through an Active Aesthetic, 1st Edition

Edited by Experience Bryon

Routledge

252 pages

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pub: 2017-12-11
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Description

Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.

Including cross-chapter discussions which address the intersections between fields, Performing Interdisciplinarity trulyexamines the making of meaning across disciplinary conventions. This is a volume for performance practitioners and scholars who are living, learning, writing, teaching, making and thinking at the edges of their specialisms.

Table of Contents

List of Contributors

Acknowledgements

Foreword - Claire Colebrook

Introduction

Experience Bryon

Part I

active aesthetic: Knowledge Performing

Experience Bryon

Part II

virtual: Performance and Digital

Joanne Scott

Cross-Chapter Discussion: virtual & mediation

mediation: Performance and Installation Art

Luis Campos

Cross-Chapter Discussion: mediation & utopia

utopia: Performance and Social Geography: shattering the real with utopian dreams

Selina Busby

Cross-Chapter Discussion: utopia & role

role: Performance and Pedagogy

Jessica Hartley

Cross-Chapter Discussion: role & embodiment

embodiment: Performance and Cognitive Science

Deirdre Mclaughlin

Cross-Chapter Discussion: embodiment & story

story: Performance and Psychology

Antonia Batzoglou

Cross-Chapter Discussion: story & virtual

visibility: Performance and Activism

Nando Messias

Cross-Chapter Discussion: visibility & ‘the subject’

‘the subject’: Performance and Political Philosophy

Rachel Cockburn

Cross-Chapter Discussion: ‘the subject’ & voice

voice: Performance and Forensics

Konstantinos Thomaidis

Cross-Chapter Discussion: voice & visibility

Index

About the Editor

Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).

Subject Categories

BISAC Subject Codes/Headings:
PER011000
PERFORMING ARTS / Theater / General