Playwriting with Purpose : A Guide and Workbook for New Playwrights book cover
SAVE
$6.99
1st Edition

Playwriting with Purpose
A Guide and Workbook for New Playwrights




  • Available for pre-order. Item will ship after August 17, 2021
ISBN 9781032003818
August 17, 2021 Forthcoming by Routledge
160 Pages 1 B/W Illustrations

 
SAVE ~ $6.99
was $34.95
USD $27.96

Prices & shipping based on shipping country


Preview

Book Description

Playwriting with Purpose: A Guide and Workbook for New Playwrights provides a holistic approach to playwriting from an award-winning playwright and instructor.

This book incorporates craft lessons by contemporary playwrights, offers active writing prompts, and provides concrete guidance for new and emerging playwrights. The author takes readers through the entire creative process, from creating characters and writing dialog and silent moments to analysing elements of well-made plays and creating an atmospheric environment. Each chapter is followed by writing prompts and pro-tips that address unique facets of the conversation about the art and craft of playwriting. The book also includes information on the business of playwriting and a recommended reading list of published classic and contemporary plays, providing all the tools to successfully transform an idea into a script, and a script into a performance.

Playwriting with Purpose gives writers and students of Playwriting hands-on lessons, artistic concepts, and business savvy to succeed in today’s theatre industry.

Table of Contents

1. Creating Compelling Characters  2. Writing Electric Dialogue and Silent Moments  3. Environment and Idea  4. The "Well-Made Play" (Short and Long Form)  5. Scene Structure  6. Monologue Structure  7. Thoughts on Aristotle’s Poetics  8. Other Structures  9. Writing in 3-D for the Living Stage  10. The Limitless Room  11. The Revision Process  12. Business of Playwriting

...
View More

Author(s)

Biography

Jacqueline Goldfinger is an award-winning playwright, dramaturg, and librettist who seeks out unique collaborations, working across disciplines to create singular works of theatre and opera. Her awards include the Yale Prize, Opera America Discovery Grant, Smith Prize, Sloan Grant, Independence Foundation Fellowship in the Arts, Tennessee Williams Fellowship, and Generations Award. She teaches workshops and seminars at college and university theatre programs across the U.S. including at University of California, Davis & San Diego, University of Pennsylvania, and Temple University. For more information, visit www.jacquelinegoldfinger.com.

Reviews

"I wish I had this book when I began my writing journey. It's fresh, funny, thought-provoking, and provides important insights into the industry so that playwrights can get their work on stage immediately."

Antoinette Nwandu, Award-Winning Playwright and Screenwriter, PASS OVER (Lincoln Center), SHE'S GOTTA HAVE IT (Netflix)

"I love this book! It is a clear-eyed, direct, practical guide for playwrights of all experience levels."

Allison Horsley, Broadway Dramaturg and Translator, JERSEY BOYS, THE CHERRY ORCHARD

"Goldfinger’s workbook combines well curated examples with engaging exercises and evocative writing prompts to create an endless array of customizable approaches to playwriting. It speaks to the full range of those interested in creating scripted drama—students and teachers, novices and experts."

David S. Thompson, Agnes Scott College

"A refereshing and galvanizing treatise on the craft of playwriting. Great for emerging playwrights!"

Yussef El Guindi, Award-winning Playwright, BACK OF THE THROAT, LANGUAGE ROOMS

"Read this book now. It is a gift to our students and our industry. It's going to revolutionize how we teach playwriting."

Jessica Bashline, Director-Actor, Theatre Professor at University of Miami

"I'm going to put this book on the Required Reading list for acting and directing classes. Actors and directors need to know how plays function in order to do their best work."

Margaret Laurena Kemp, Multi-disciplinary performance artist, Theatre Professor at University of California, Davis