Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images Ã lire, textes Ã voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant debates in text/image studies. Part II introduces Louvel's s typology of pictorial saturation through which she establishes a continuum along which to measure the effect of the most figurative to the most literal images upon writerly and readerly textual 'spaces.' Part III adopts a phenomenological approach towards the reading-viewing experience as expressed in conceptual categories that include the trace, focal range, synesthesia, and rhythm and speed. The result is a provocative interplay of the categorical and the subjective that invites readers to think at once more precisely and more inventively about texts, images, and the intersections between the two.
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Infinite Dialogues; Part I Text/image: The Infinite Dialogue; Chapter 1 What Is an Image?; Chapter 2 The Infinite Dialogue Between Text and Image; Part II Modes of Insertion of the Pictorial: A Text/Image Typology; Chapter 3 Narrative Figures of the Pictorial Image; Chapter 4 From Text to Iconotext: Degrees of Pictorial Saturation; Chapter 5 Functions of the Image: A Pragmatics of the Iconotext; Part III Poetics of the Iconotext; Chapter 6 Variations on the Pictorial; Chapter 7 Beyond the Paragone: Towards a Poetics of Pictorial Rhythm;