1st Edition

Pop Music Technology and Creativity - Trevor Horn and the Digital Revolution

By Timothy Warner Copyright 2003

    This title was first published in 2003.This highly original and accessible book draws on the author’s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together. This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop.

    List of Tables, General Editor's Preface, Acknowledgements, Introduction, Part One: Pop Music, 1. Characteristics of Pop Music, 2. The Production of Pop Music, Part Two: Technology and Creativity, 3. 'Video Killed the Radio Star' by The Buggies, 4. 'Buffalo Gals'by Malcolm McLaren, 5. 'Owner of a Lonely Heart' by Yes, 6. 'Relax' by Frankie Goes to Hollywood, 7. Who's Afraid of The Art of Noise?, 8. 'Jewel', 'Duel' and 'Jewelled' by Propaganda, 9. Slave to the Rhythm by Grace Jones, Conclusion, Appendix 1: Interview with Trevor Horn, Appendix 2: Trevor Horn Discography, Discography, Bibliography, Index

    Biography

    Warner, Timothy