This collection examines new comic-book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts.
The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional "image-functions" in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape.
This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the "U.S.-European and Japanese manga paradigms" and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.
Introduction Binita Mehtaand Pia Mukherji Part I: Geographies of Contact: Gibraltar / Malta / Asia-Pacific 1. Plural Pathways, Plural Identities: Jean-Philippe Stassen’s Les Visiteurs de Gibraltar Michelle Bumatay2. Joe Sacco’s "Prying Outsiders": Marginalization, Graphic Novel Form, and the Ethics of Postcolonial Representation Sam Knowles 3. Tezuka Osamu’s Postcolonial Discourse towards a Hybrid National Identity Roman Rosenbaum Part II: Francophone Post-Histories: Algeria / Congo / Gabon 4. Memory and Postmemory in Morvandiau’s D’Algérie Ann Miller 5. Guilty Melancholia and Memorial Work: Representing the Congolese Past in Comics Véronique Bragard 6. Visualizing Postcolonial Africa: La Vie de Pahé Binita Mehta Part III: Postcolonial Politics: India 7. Postcolonial Demo-graphics: Traumatic Realism in Vishwajyoti Ghosh’s Delhi Calm Pramod K. Nayar 8. Graphics of Freedom: Colonial Terrorists and Postcolonial Revolutionaries in Indian Comics Harleen Singh 9. Graphic Ecriture: Gender and Magic Iconography in Kari Pia Mukherji Part IV: War, Nationhood, and Transnationalism: The Middle East 10. Visualizing the Emerging Nation: Jewish and Arab Editorial Cartoons in Palestine, 1939-48 Jeffrey John Barnes 11. Drawing for a New Public: Middle Eastern 9th Art and the Emergence of a Transnational Graphic Movement Massimo di Ricco 12. Men with Guns: War Narratives in New Lebanese Comics Lena Merhej
Edited in collaboration with the Centre for Colonial and Postcolonial Studies, University of Kent at Canterbury, Routledge Research in Postcolonial Literatures presents a wide range of research into postcolonial literatures by specialists in the field. Volumes concentrate on writers and writing originating in previously (or presently) colonized areas, and include material from non-anglophone as well as anglophone colonies and literatures.
Part of our home for cutting-edge, upper-level scholarly studies and edited collections, this series considers postcolonial literature alongside topics such as gender, race, ecology, religion, politics, and science. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics. Series editors: Donna Landry and Caroline Rooney