Religious Discourse in Attic Oratory and Politics
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The book offers a critical investigation of a wide range of features of religious discourse in the transmitted forensic, symbouleutic and epideictic orations of the Ten Attic Orators, a body of 151 speeches which represents the mature flourishing of the ancient art of public speaking and persuasion.
Serafim focuses on how the intersections between such religious discourse and the political, legal and civic institutions of classical Athens help to shed new light on polis identity-building and the construction of an imagined community in three institutional contexts – the law-court, the Assembly and the Boule: a community that unites its members and defines the ways in which they make decisions. After a full-scale survey of the persistently and recurrently used features of religious discourse in Attic oratory, he contextualizes and explains the use of specific patterns of religious discourse in specific oratorical contexts, examining the means or restrictions that these contexts generate for the speaker. In doing so, he explores the cognitive/emotional and physical/sensory reactions of the speaker and the audience when religious stimuli are provided in orations, and how this contributes to the construction of civic and political identity in classical Athens.
Religious Discourse in Attic Oratory and Politics will be of interest to anyone working on classical Athens, particularly its legal institutions, and to those working on ancient rhetoric, and ancient Greek religion and politics.
Table of Contents
Chapter 1. Religious discourse in Attic oratory: A full survey
Chapter 2. Contextualizing religious discourse
Chapter 3. Reacting to the "airy nothing"
Chapter 4. Civic/political identity in religious discourse
Chapter 5. Conclusion
Andreas Serafim, Ph.D. 2013, University College London, is a Postdoctoral Fellow in Classics at Aristotle University of Thessaloniki and elected Research Fellow at the Research Centre for Greek and Latin Literature of the Academy of Athens. He published another monograph, Attic Oratory and Performance, Routledge 2017.