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Routledge Handbook of Asian Music



  • Available for pre-order. Item will ship after January 30, 2021
ISBN 9780415830669
January 30, 2021 Forthcoming by Routledge
400 Pages

 
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Book Description

The Routledge Handbook of Asian Music introduces Asian music as a way to ask questions about what happens when cultures converge and how readers may evaluate cultural junctures through expressive forms.

The volume’s thirteen original chapters cover musical practices in historical and modern contexts from Central Asia, East Asia, South Asia, and Southeast Asia, including art music traditions, folk music and composition, religious and ritual music, as well as popular music. These chapters showcase the diversity of Asian music, requiring readers to constantly reconsider their understanding of this vibrant and complex area. It is divided into three sections:

  • Locating Meanings
  • Boundaries and Difference
  • Cultural Flows

Contributors to the handbook offer a multi-disciplinary portfolio of methods, ranging from archival research and field ethnography, to biographical studies and music analysis. In addition to rich illustrations, numerous samples of notation and sheet music are featured as insightful study resources. Readers are invited to study individuals, music-makers, listeners, and viewers to learn about their concerns, their musical choices, and their lives through a combination of humanistic and social-scientific approaches.

Demonstrating how transformative cultural differences can become in intercultural encounters, this handbook will appeal to students and scholars of musicology, ethnomusicology, and anthropology.

Table of Contents

Part I: Locating Meanings

1. Indonesia, Meet the Beatles!: Sound, Style, and Meaning in Indonesian Popular Music

ANDREW N. WEINTRAUB

2. Composing at the Intersection of East and West: Beyond Nationalism and Exoticism?

ANDREW P. KILLICK

3. Composing Traditions: Cultural Consciousness and Hybridity in Cross-Cultural Musicking

JONGHEE KANG

4. From Humble Beginnings to Qin Master: The Remarkable Cross-Fertilisation of Folk and Elite Cultures in Yao Bingyan’s Music

BELL YUNG

Part II: Boundaries and Difference

5. Water Festival as Spectacle: Sino-Burmese Identities, Ethnic Politics, and Public Performances in Macau

TASAW LU HSIN-CHUN

6. Nature of Narye: Sounds, Spectacle, and the Politics of Performance in Fifteenth-Century Korea

HYEOK HWEON KANG

7. Negotiating Rural Modernity with Acoustemology: The Hakka Children’s Songs in Contemporary Taiwan

LUO AI MEI

8. Peranakan Music and Multiculturalism in Singapore

LEE TONG SOON

Part III: Cultural Flows

9. Imagined Homogeneity: Maqom in Soviet and Uzbek National Projects

TANYA MERCHANT

10. Sikh Music and Its Revival in Post-Partition India

LI WAI CHUNG

11. Tradition and Innovation in the Dayunday Courtship Drama of the Magindanao Muslim Filipinos from the Southern Philippines

MARY TALUSAN

12. Creativity in Sundanese Music and Radio Broadcasting in West Java, Indonesia

INDRA RIDWAN

13. Music, Tourism, and Cultural Exchange Among the Naxi of Southwest China

HELEN REES

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Editor(s)

Biography

Lee Tong Soon is professor of ethnomusicology and Asian studies at Lehigh University, and the general editor of the Yearbook for Traditional Music (International Council for Traditional Music). His primary area of teaching and research is Asian music and its diaspora, particularly on the music of the Chinese, Malay, and Peranakan communities in Singapore, Malaysia, and England. He is the author of Chinese Street Opera in Singapore (2009).